Madame Adam (Juliette Lambert), la grande Française : $b from Louis Philippe until 1917Whale, Winifred Stephens
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Madame Adam (Juliette Lambert), la grande Française : $b from Louis Philippe until 1917
Whale, Winifred Stephens
Adam, Juliette, 1836-1936
Such a condition was neither petty nor vindictive, though such at
first it might seem. Considering the temperaments of these two
distinguished women—one endowed with the passionate vehemence and
frankness of the Celt, the other not lacking in a certain Teutonic
vindictiveness—for Juliette to have been a loyal friend to them both
at the same time would have been impossible.[143]
There was no reason, however, why Juliette and George Sand should
not correspond. Mme. Sand never failed to take an interest in her
correspondent’s literary career.
She read all her books and gave the young author the invaluable
benefit of her criticism. Though her book _Mon Village_ was dedicated
to Mme. d’Agoult, it was, as we have seen, written at the suggestion
of George Sand.
For nine years Juliette and her unknown friend, her _amie éloignée_,
as Mme. Sand called herself, continued to correspond. And it was not
until Juliette’s final breach with Mme. d’Agoult, in 1867, that the
former considered herself at liberty to see in the flesh her whose
spirit and whose writings she had admired so long.
Mme. Adam’s graphic description of the memorable meeting in the third
volume of her _Souvenirs_[144] has become almost a classic.
With her whole being throbbing with emotion, Juliette went by
appointment to Mme. Sand’s flat, No. 97, Rue des Feuillantines. In a
large arm-chair, which made her appear quite a little woman, Mme. Sand
sat with both arms on a table in front of her, rolling a cigarette.
“I approached,” writes Juliette; “she did not rise, but she pointed to
a seat, which I was to take, quite near the table. Her large kind eyes
enveloped, attracted me. My pulse beat violently.
“I made a great effort to greet her with a word. I found nothing to
say. My heart came into my mouth.
“She lit her cigarette and began to smoke. She also seemed searching
for a word to address to me; but she no more than I could find
anything to say.
“Later I knew how reserved she felt in the presence of any one whom
she saw for the first time.
“Then, realising that I must appear idiotic, my feelings overcame me,
and I burst into tears.
“George Sand threw away her cigarette and held out her arms to me. I
threw myself into them, possessed by that filial tenderness which I
had longed to experience, and which has remained with me to this hour.”
Naturally they could not avoid talking of that disagreement with Mme.
d’Agoult which had rendered the meeting possible.
Then they discussed a theme constantly recurring in the conversation
of serious persons in that day: the frivolity and corruption of
Parisian society under the Empire, and the reign of opportunism.
They rejoiced at the boldness of the manager of the Théâtre français,
who had dared to represent a play by Victor Hugo, then a political
exile, and they delighted to think of the consolation it must bring to
the author in his banishment.
Public-domain text, read in full here on John Shaqi.
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