Madame Adam (Juliette Lambert), la grande Française : $b from Louis Philippe until 1917Whale, Winifred Stephens
History
Madame Adam (Juliette Lambert), la grande Française : $b from Louis Philippe until 1917
Whale, Winifred Stephens
Adam, Juliette, 1836-1936
“.... _Pour le Pape—Je suis catholique, apostolique et romaine.
Revenue aux croyances de ma grand’mère.... Vous comprendrez que je
n’ai pas, si tardive croyante, le droit de discuter les actions
du St. Père. Mais mes vœux étaient pour le Cardinal Rampolla, que
l’Autriche détestait et que la France eut tant aimé! Là encore je
dois me taire. Vous pouvez seulement dire à quel point mes vœux
accompagnaient le Cardinal Rampolla, que j’avais la fierté de
connaître._”
[Illustration: (1885)]
We have seen how Mme. Adam’s father had brought her up in communion
with the Hellenic soul; how in Mme. d’Agoult’s salon she delighted
to fraternise with those enthusiastic Hellenists, de Ronchaud,
Paul Saint-Victor, and Louis Ménard. After her rupture with Mme.
d’Agoult, and throughout all the vicissitudes of the intervening
years, this _Grecque ressuscitée_, as Victor Hugo used to call her,
had never ceased, whenever she met her Hellenic friends, with them
to live and move and have her being in the world of ancient Greece.
Together they dreamed of seeing established in France what they
described somewhat vaguely as “the Athenian Republic.” Together
they welcomed the advent of those young poets, “the incomparable
Parnassians,” whom Ménard fathered, François Coppée, Sully
Prudhomme,[334] Hérédia, Alphonse Daudet, Baudelaire, Villiers de
l’Isle Adam, Anatole France and Lecomte de Lisle. Mme. Adam had been
delighted when Gaston Paris brought to her salon that wonderful Sully
Prudhomme, who from a workman in Creusot’s factory had developed
into a poet, scholar and philosopher.[335] Volume by volume, as they
appeared, she devoured Lemerre’s edition of the Parnassians’ collected
works, becoming every day, she writes, _sauf quelques réserves_, a
convinced admirer and an ardent propagandist of the new school of
poets.[336]
The reserve she referred to was this: she could not bring herself to
admire the marmoreal immobility cultivated by the Parnassians. “_Ils
ne rêvent pas comme moi_” she writes,[337] “_de draperies flottantes
au vent qui souffle du golfe de Phalère ou du mont Hymette: ils
veulent le pli statuaire, moi je l’aime vivant_.”
One, who attended Mme. Adam’s reception when her salon was at the
height of its political influence, tells how eager she was to withdraw
from political discussion whenever an opportunity offered of talking
about Greece and things Greek.
Public-domain text, read in full here on John Shaqi.
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