Madame Adam (Juliette Lambert), la grande Française : $b from Louis Philippe until 1917Whale, Winifred Stephens
History
Madame Adam (Juliette Lambert), la grande Française : $b from Louis Philippe until 1917
Whale, Winifred Stephens
Adam, Juliette, 1836-1936
“You won’t carry on your review for six months,” he retorted.... “You
don’t know what you are undertaking. How could a woman ever possess
enough authority, knowledge, energy, and business faculty to direct a
review?” Gambetta carefully ignored the famous _Revue Internationale_,
founded and successfully edited for some years by Napoléon I.’s
great-niece, Mme. Ratazzi, better known by her _nom de guerre_ of
“Baron Stock.”
“My dear friend,” replied Juliette Adam, “will you take the trouble
to remember this? I shall carry on my review for twenty years, and I
shall introduce to my readers twenty new authors.”
The question of the title puzzled her for some time. Then she writes—
“_Tiens, j’ai trouvé mon titre_ La Nouvelle Revue. _Ce titre me plaît
et plaît à tous. Je l’ai tant cherché, et il est venu tout seul._”
Her old friend Laurent Pichat, one of those who had always recommended
Adam, “that millionaire in wisdom and moderation,” as he called him,
to found a review, threw himself heart and soul into the project. “You
cannot have too many contributors,” he said.
It was chiefly among the young authors and writers that these
contributors were recruited. “Our review,” they called it, for them
it was founded. One of its main objects was to give the chance to the
young and the unknown which _La Revue des Deux Mondes_ denied them.
But, as we have seen, many of Mme. Adam’s old friends were also to
be represented in its pages: Challemel-Lacour, Spuller, and her
fellow-Hellenists Saint-Victor and de Ronchaud. Nothing pleased her
more than the interest taken in it by M. Ferdinand de Lesseps, a new
acquaintance whom she owed to Girardin.
Another of her great acquisitions was Alphonse Daudet, the writer
who to her seemed more essentially French than any other author of
that day. She considered him the equal of Balzac and Flaubert. She
had hardly dared to hope for his collaboration. All the greater,
therefore, was her joy when he assured her that any project destined
to help forward young writers might count on his support. And Daudet
was not one to give his name alone. As long as he lived the editress
of _La Nouvelle Revue_ found in him one of her most trusted supporters.
But the course of editing, like that of true love, does not always
run smooth; and Mme. Adam had her disappointments. One of these was
Taine’s refusal to collaborate. On the 29th of March, 1879,[350] he
wrote excusing himself on account of bad health and absence from
Paris. Though he was by no means devoted to _La Revue des Deux
Mondes_, he reminded the new editress that when an attempt had been
made fifteen years earlier to give that journal a rival, it had been
calculated that such a project could not be realised in less than six
years, and would necessitate an expenditure of a million of francs.
Public-domain text, read in full here on John Shaqi.
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