Madame Adam (Juliette Lambert), la grande Française : $b from Louis Philippe until 1917Whale, Winifred Stephens
History
Madame Adam (Juliette Lambert), la grande Française : $b from Louis Philippe until 1917
Whale, Winifred Stephens
Adam, Juliette, 1836-1936
Mme. Adam has never been one who could completely cut herself off
from Paris. Though she seldom goes to Paris now, Paris comes to her.
And in her salon at Gif she keeps alive _cette causerie française_,
which, alas! tends to disappear from the salons of the metropolis.
In the hurly-burly of modern life that leisurely talk which alone,
writes Mme. Adam, _entretient les vitalités de notre esprit_ grows
more and more impossible. Before the war conversation was already
a lost art. “When I begin to talk in a modern drawing-room,” says
Mme. Adam, “I am told to be silent because I am interrupting a game
of bridge, or because some one is going to dance the tango.” And
even on those rare occasions when conversation was permitted, it was
found that the dull weight of the Germanic spirit, then permeating
French intellectual society, had extinguished the sparkle of French
talk, had blunted the rapier of French irony. The professor with his
monologue had insinuated himself into French drawing-rooms, silencing
those scintillating interruptions, forbidding the smart give-and-take
of brilliant repartee. “We are told,” protests Mme. Adam, “that our
conversation is not _documenté_.”
_La causerie française_, banished from the salon, was taking refuge in
the club and the café. Has not Mme. Adam’s own _fils adoptif_, Léon
Daudet, lately written:[391] “_Le café est l’école de la franchise et
de la drôlerie spontanée, tandis que le salon est en général l’école
du poncif et de la mode imbécile_”?
But of Mme. Adam’s salon Daudet makes a notable exception. Of
the Sunday and Tuesday afternoons at Gif he has painted a vivid
picture,[392] to which may be added not a few interesting features.
While of yore to the Sundays and Tuesdays of Gif Paris came by
carriage or train, to-day it comes by automobile. Motorists have
everything made easy for them: they are provided with a clear
road-plan printed on a neat little card indicating the route from the
Suresne Gate of the Bois de Boulogne as far as the spot where, but a
few miles from their destination, friendly sign-posts begin to point
_à l’Abbaye de Gif_. Before the war, on fine Sunday afternoons, on the
terrace of Gif, might be found assembled sometimes as many as fifty
persons, Royalists and Republicans, generals and admirals, bishops
and deputies, academicians and journalists, among whose conflicting
opinions their hostess’s tact and cordiality contrived to keep the
peace in a marvellous manner.
Public-domain text, read in full here on John Shaqi.
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