Madame Adam (Juliette Lambert), la grande Française : $b from Louis Philippe until 1917Whale, Winifred Stephens
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Madame Adam (Juliette Lambert), la grande Française : $b from Louis Philippe until 1917
Whale, Winifred Stephens
Adam, Juliette, 1836-1936
What an all-important event was Juliette’s first evening in Mme.
d’Agoult’s salon may easily be imagined. She found the Countess,
like many other distinguished Frenchwomen, anticipating her age, for
although she was only fifty-three, she wore over her silver hair a
light black lace mantilla. At the first glance she gave Juliette
the impression of strength, almost virile, and yet of femininity.
“_J’ai atteint l’âge d’homme_,” she used to say, echoing Catherine of
Russia’s sentiment when she welcomed Diderot with the words: “As man
to man we can discuss anything.” Tall and superbly graceful, it seemed
to Juliette that she had never seen a more complete great lady. When
Mme. d’Agoult described herself as a Democrat, it was difficult to
suppress a smile, so anomalous on her lips sounded such a word. Her
bearing, the pose of her head, her features, the lines of her face
which betrayed no trace of the tempestuous passion that had swept over
her in youth; everything about Mme. d’Agoult was aristocratic.
In the general conversation of her salon the Countess took little
part, but, seated on the right of the fireplace, she would carry on
a _tête-à-tête_ with some single person. Unlike many another salon
lady, Mme. du Deffand or Mme. de Staël or Juliette herself, she was no
maker of _mots_; nor was she ready with repartee. She herself could
never understand how she came by her reputation of a wit;[56] for she
knew that she never appeared at her best in conversation. She was too
reserved, too self-conscious to be a vivacious talker, and she could
only be eloquent when intense feeling took her out of herself.[57]
Grave and a trifle solemn, her salon was frequented by serious
students, such as Littré, who rarely went anywhere else, as well as
by more sociable philosophers like Renan. The subjects discussed were
politics, philosophy, art (music especially), serious literature, but
seldom plays or novels. The guests were too addicted to monologue; and
too often some weighty personage, leaning against the mantel-piece
would discourse at such length that his talk became a veritable
lecture. Sometimes Mme. d’Agoult would read a letter from some foreign
correspondent, a famous revolutionary like Mazzini or Kossuth; for she
had relations with the whole of Europe, including those illustrious
Frenchmen whom Louis Napoléon’s _coup d’état_ of December 1851 had
driven into exile.
Public-domain text, read in full here on John Shaqi.
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