Well, after all, it is even more completely Japanese than I could
possibly have imagined it--this last scene of my married life! I feel
inclined to laugh. How simple I have been, to allow myself to be taken
in by the few clever words she whispered yesterday, as she walked
beside me, by a tolerably pretty little phrase embellished as it was
by the silence of two o'clock in the morning, and all the wonderful
enchantments of night.
Ah! not more for Yves than for me, not more for me than for Yves, has
any feeling passed through that little brain, that little heart.
When I have looked at her long enough, I call:--
"Hi! Chrysanthème!"
She turns confused, and reddening even to her ears at having been
caught at this work.
She is quite wrong, however, to be so much troubled, for I am, on the
contrary, delighted. The fear that I might be leaving her in some
sadness had almost given me a pang, and I infinitely prefer that this
marriage should end as it had begun, in a joke.
"That is a good idea of yours," I say; "a precaution which should
always be taken in this country of yours, where so many evil-minded
people are clever in forging money. Make haste and get through it
before I start, and if any false pieces have found their way into the
number, I will willingly replace them."
However, she refuses to continue before me, and I expected as much; to
do so would have been contrary to all her notions of politeness,
hereditary and acquired, all her conventionality, all her
_Japanesery_. With a disdainful little foot, clothed as usual in
exquisite socks with a special hood for the great toe, she pushes away
the piles of white dollars and scatters them on the mats.
"We have hired a large covered sampan," she says to change the
conversation, "and we are all going together,--Campanule, Jonquille,
Touki, all your mousmés--to watch your vessel set sail. Pray sit down
and stay a few minutes."
"No, I really cannot stay. I have several things to do in the town,
d'you see, and the order was given for every one to be on board by
three o'clock in time for muster before starting. Moreover, I would
rather escape, as you can imagine, while Madame Prune is still
enjoying her siesta; I should be afraid of being drawn into some
corner, or of provoking some heartrending parting scene."
Chrysanthème bows her head and says no more, but seeing that I am
really going, rises to escort me.
Without speaking, without the slightest noise, she follows me as we
descend the staircase and cross the garden full of sunshine, where the
dwarf shrubs and the deformed flowers seem, like the rest of the
household, plunged in warm somnolence.
At the outer gate I stop for the last adieu: the little sad pout has
reappeared, more accentuated than ever on Chrysanthème's face; it is
the right thing, it is correct, and I should feel offended now were it
absent.
Public-domain text, read in full here on John Shaqi.
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