It is wonderful all I still have to do this last day, and the endless drives I have to make to the old curiosity shops, to my tradespeople, and to the packers. Nevertheless before my rooms are dismantled, I intend making a sketch of them, as I did formerly at Stamboul. It really seems to me as if all I do here is a bitter parody of all I did over there. This time, however, it is not that I care for this dwelling; it is only because it is pretty and uncommon, and the sketch will be an interesting souvenir. I fetch, therefore, a leaf out of my album, and begin at once, seated on the floor and leaning on my desk, ornamented with grasshoppers in relief, while behind me, very, very close to me, the three women follow the movements of my pencil with an astonished attention. Japanese art being entirely conventional, they have never before seen anyone draw from nature, and my style delights them. I may not perhaps possess the steady and nimble touch of M. Sucre, as he groups his charming storks, but I am master of a few notions of perspective which are wanting in him; and I have been taught to draw things as I see them, without giving them ingeniously distorted and grimacing attitudes; and the three Japanese are amazed at the air of _reality_ thrown in my sketch. With little shrieks of admiration, they point out to each other the different things, as little by little their shape and form are outlined in black on my paper. Chrysanthème gazes at me with a new kind of interest: "_Anata itchi-ban_!" she says (literally "Thou first!" meaning: "You are really quite a swell!") Mdlle. Oyouki is carried away by her admiration and exclaims in a burst of enthusiasm: _"Anata bakari!"_ ("Thou alone!" that is to say: "There is no one like you in the world, all the rest are mere rubbish!") Madame Prune says nothing, but I can see that she does not think the less; her languishing attitudes, her hand that at each moment gently touches mine, confirm the suspicions that her look of dismay a few moments ago awoke within me: evidently my physical charms speak to her imagination, which in spite of years has remained full of romance! I shall leave with the regret of having understood her too late!!