Now I am very curious to see the parting between Yves and
Chrysanthème; I listen with all my ears, I look with all my eyes, it
takes place in the simplest and quietest fashion: none of that
heartbreaking which will be inevitable between Madame Prune and
myself; I even notice in my mousmé an indifference, an unconcern which
puzzles me; I positively am at a loss to understand what it all means.
And I muse to myself as I continue to descend towards the sea. "Her
appearance of sadness was not, therefore, on Yves' account. On whose,
then?" and the phrase runs through my head:
"Come back to-morrow before setting sail, to bid me good-by; I shall
only return to my mother in the evening; you will find me still up
there."
Japan is indeed most delightful this evening, so fresh and so sweet;
and little Chrysanthème was very charming just now, as she silently
walked beside me through the darkness of the lane.
It is about two o'clock when we reach the _Triomphante_ in a hired
sampan, where I have heaped up all my cases till there is danger of
sinking. The _very tall friend_ gives over to me the watch that I must
keep till four o'clock; and the sailors on duty, but half awake, make
a chain in the darkness, to haul on board all my fragile luggage.
LII.
_September 18th_.
I had planned to sleep late this morning, in order to make up for my
lost sleep of last night.
But behold, at eight o'clock, three persons of the most singular
appearance, led by M. Kangourou, present themselves with endless bows
at the door of my cabin. They are dressed in long robes bedizened with
dark patterns; they have the flowing locks, high foreheads and pallid
countenances of persons too exclusively devoted to the fine arts; and,
perched on the top of their chignons, they wear sailor hats of English
shape stuck jauntily on one side. Under their arms, they carry
portfolios filled with sketches; in their hands, boxes of
water-colors, pencils, and, tied together like fasces, a bundle of
fine stylets the sharp points of which glitter ostensibly.
At the first glance, even in the bewilderment of waking, I gather from
their appearance what their errand is, and guessing with what visitors
I have to deal, I say:--"Come in, Messieurs the tattooers!"
These are the specialists most in renown in Nagasaki; I had engaged
them two days ago, not knowing that we were about to leave, and since
they are come I will not turn them away.
My friendly and intimate relations with primitive man, in Oceania and
elsewhere, have imbued me with a deplorable taste for tattoo work; and
I had wished to carry away on me, as a curiosity, an ornament, a
specimen of the work of the Japanese tattooers, who have a delicacy of
finish which is unequaled.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account