I am very curious to see the parting between Yves and Chrysantheme; I
listen with all my ears, I look with all my eyes, but it takes place in
the simplest and quietest fashion: none of that heartbreaking which
will be inevitable between Madame Prune and myself; I even notice in my
mousme an indifference, an unconcern which puzzles me; I positively am
at a loss to understand what it all means.
And I muse as I continue to descend toward the sea. “Her appearance of
sadness was not, therefore, on Yves’s account. On whose, then?” and the
phrase runs through my head:
“Come back to-morrow before setting sail, to bid me goodby; I shall not
return to my mother until evening; you will find me still up there.”
Japan is indeed most delightful this evening, so fresh and so sweet; and
little Chrysantheme was very charming just now, as she silently walked
beside me through the darkness of the lane.
It is about two o’clock when we reach the ‘Triomphante’ in a hired
sampan, where I have heaped up all my cases till there is danger of
sinking. The “very tall friend” gives over to me the watch that I must
keep till four o’clock; and the sailors on duty, but half awake, make a
chain in the darkness, to haul on board all my fragile luggage.
CHAPTER LII. “FAREWELL!”
September 18th.
I intended to sleep late this morning, in order to make up for my lost
sleep of last night.
But at eight o’clock three persons of the most extraordinary appearance,
led by M. Kangourou, present themselves with profound bows at the
door of my cabin. They are arrayed in long robes bedizened with dark
patterns; they have the flowing locks, high foreheads, and pallid
countenances of persons too exclusively devoted to the fine arts; and,
perched on the top of their coiffures, they wear sailor hats of English
shape tipped jauntily on one side. Tucked under their arms, they
carry portfolios filled with sketches; in their hands are boxes of
water-colors, pencils, and, bound together like fasces, a bundle of fine
stylets with the sharp and glittering points.
At the first glance, even in the bewilderment of waking up, I gather
from their appearance what their errand is, and guessing with what
visitors I have to deal, I say: “Come in, Messieurs the tattooers!”
These are the specialists most in renown in Nagasaki; I had engaged them
two days ago, not knowing that we were about to leave, and since they
are here I will not turn them away.
My friendly and intimate relations with primitive man, in Oceania and
elsewhere, have imbued me with a deplorable taste for tattoo-work; and I
had wished to carry away on my own person, as a curiosity, an ornament,
a specimen of the work of the Japanese tattooers, who have a delicacy of
finish which is unequalled.
Public-domain text, read in full here on John Shaqi.
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