Then, before long-when the shops shut up in haste, when the emptied
streets are flooded, and almost black, and the paper lanterns, piteous
objects, wet through and extinguished--I find myself, I know not how it
happens, flattened against a wall, under the projecting eaves, alone in
the company of Mademoiselle Fraise, my cousin, who is crying bitterly
because her fine robe is wet through. And in the noise of the rain,
which is still falling, and splashing everything with the spouts and
gutters, which in the darkness plaintively murmur like running streams,
the town appears to me suddenly an abode of the gloomiest sadness.
The shower is soon over, and the mousmes come out of their holes like so
many mice; they look for one another, call one another, and their little
voices take the singular, melancholy, dragging inflections they assume
whenever they have to call from afar.
“Hi! Mademoiselle Lu-u-u-u-une!”
“Hi! Madame Jonqui-i-i-i-ille!”
They shout from one to another their outlandish names, prolonging them
indefinitely in the now silent night, in the reverberations of the damp
air after the great summer rain.
At length they are all collected and united again, these tiny personages
with narrow eyes and no brains, and we return to Diou-djen-dji all wet
through.
For the third time, we have Yves sleeping beside us under our blue tent.
There is a great noise shortly after midnight in the apartment
beneath us: our landlord’s family have returned from a pilgrimage to a
far-distant temple of the Goddess of Grace. (Although Madame Prune is a
Shintoist, she reveres this deity, who, scandal says, watched over her
youth.) A moment after, Mademoiselle Oyouki bursts into our room like a
rocket, bringing, on a charming little tray, sweetmeats which have been
blessed and bought at the gates of the temple yonder, on purpose for us,
and which we must positively eat at once, before the virtue is gone
out of them. Hardly rousing ourselves, we absorb these little edibles
flavored with sugar and pepper, and return a great many sleepy thanks.
Yves sleeps quietly on this occasion, without dealing any blows to the
floor or the panels with either fists or feet. He has hung his watch on
one of the hands of our gilded idol in order to be more sure of seeing
the hour at any time of the night, by the light of the sacred lamps. He
gets up betimes in the morning, asking: “Well, did I behave properly?”
and dresses in haste, preoccupied about duty and the roll-call.
Outside, no doubt, it is daylight already: through the tiny holes
which time has pierced in our wooden panels, threads of morning light
penetrate our chamber, and in the atmosphere of our room where night
still lingers, they trace vague white rays. Soon, when the sun shall
have risen, these rays will lengthen and become beautifully golden. The
cocks and the cicalas make themselves heard, and now Madame Prune will
begin her mystic drone.
Public-domain text, read in full here on John Shaqi.
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