We meet a few belated laborers, who are returning from the fields with
bundles of tea upon their shoulders. These peasants have a half-savage
air. They are half naked, too, or clothed only in long robes of blue
cotton; as they pass, they salute us with humble bows.
No trees in this elevated region. Fields of tea alternate with tombs:
old granite statues which represent Buddha in his lotus, or else old
monumental stones on which gleam remains of inscriptions in golden
letters. Rocks, brushwood, uncultivated spaces, surround us on all
sides.
We meet no more passers-by, and the light is failing. We will halt for a
moment, and then it will be time to turn our steps homeward.
But, close to the spot where we stand, a box of white wood provided with
handles, a sort of sedan-chair, rests on the freshly disturbed earth,
with its lotus of silvered paper, and the little incense-sticks, burning
yet, by its side; clearly some one has been buried here this very
evening.
I can not picture this personage to myself; the Japanese are so
grotesque in life that it is almost impossible to imagine them in the
calm majesty of death. Nevertheless, let us move farther on, we might
disturb him; he is too recently dead, his presence unnerves us. We
will go and seat ourselves on one of these other tombs, so unutterably
ancient that there can no longer be anything within it but dust. And
there, seated in the dying sunlight, while the valleys and plains of the
earth below are already lost in shadow, we will talk together.
I wish to speak to Yves about Chrysantheme; it is indeed somewhat in
view of this that I have persuaded him to sit down; but how to set about
it without hurting his feelings, and without making myself ridiculous,
I hardly know. However, the pure air playing round me up here, and the
magnificent landscape spread beneath my feet, impart a certain serenity
to my thoughts which makes me feel a contemptuous pity, both for my
suspicions and the cause of them.
We speak, first of all, of the order for departure, which may arrive at
any moment, for China or for France. Soon we shall have to leave this
easy and almost amusing life, this Japanese suburb where chance has
installed us, and our little house buried among flowers. Yves perhaps
will regret all this more than I. I know that well enough; for it is the
first time that any such interlude has broken the rude monotony of his
hard-worked career. Formerly, when in an inferior rank, he was
hardly more often on shore, in foreign countries, than the sea-gulls
themselves; while I, from the very beginning, have been spoiled by
residence in all sorts of charming spots, infinitely superior to
this, in all sorts of countries, and the remembrance still haunts me
pleasurably.
In order to discover how the land lies, I risk the remark:
“You will perhaps be more sorry to leave little Chrysantheme than I.”
Silence reigns between us.
After which I go on, and, burning my ships, I add:
Public-domain text, read in full here on John Shaqi.
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