Staël, Madame de (Anne-Louise-Germaine), 1766-1817
Then she was deficient in the higher qualities of imagination. She could
analyze but not characterize; construct but not create. She could take
one defect like selfishness, or one passion like love, and display its
workings; or she could describe a whole character, like Napoleon’s, with
marvellous penetration; but she could not make her personages talk or
act like human beings. She lacked pathos, and had no sense of humor. In
short, hers was a mind endowed with enormous powers of comprehension, and
an amazing richness of ideas, but deficient in perception of beauty, in
poetry, and true originality. She was a great social personage, but her
influence on literature was not destined to be lasting, because, in spite
of foreseeing much, she had not the true prophetic sense of proportion,
and confused the things of the present with those of the future—the
accidental with the enduring.
THE END.
* * * * *
_Messrs. Roberts Brothers’ Publications._
FAMOUS WOMEN SERIES.
GEORGE SAND.
BY BERTHA THOMAS.
One volume. 16mo. Cloth. Price, $1.00.
“Miss Thomas has accomplished a difficult task with as much good sense
as good feeling. She presents the main facts of George Sand’s life,
extenuating nothing, and setting naught down in malice, but wisely
leaving her readers to form their own conclusions. Everybody knows that
it was not such a life as the women of England and America are accustomed
to live, and as the worst of men are glad to have them live.… Whatever
may be said against it, its result on George Sand was not what it would
have been upon an English or American woman of genius.”—_New York Mail
and Express._
“This is a volume of the ‘Famous Women Series,’ which was begun so
well with George Eliot and Emily Brontë. The book is a review and
critical analysis of George Sand’s life and work, by no means a detailed
biography. Amantine Lucile Aurore Dupin, the maiden, or Mme. Dudevant,
the married woman, is forgotten in the renown of the pseudonym George
Sand.
“Altogether, George Sand, with all her excesses and defects, is a
representative woman, one of the names of the nineteenth century.
She was great among the greatest, the friend and compeer of the
finest intellects, and Miss Thomas’s essay will be a useful and
agreeable introduction to a more extended study of her life and
works.”—_Knickerbocker._
Public-domain text, read in full here on John Shaqi.
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