Staël, Madame de (Anne-Louise-Germaine), 1766-1817
The Dowager Duchess Amelia was a vivacious, pleasure-loving, singularly
intelligent, and liberal-minded woman, who had governed the duchy during
her son’s minority admirably, and made allies for herself among the
best German intellects. Thanks to her, her son Karl August had been so
trained, that, in the midst of a court circle to which the light of the
eighteenth century had barely penetrated, he showed a most manly contempt
for the ideals of mistresses of the robes and silver sticks in waiting,
and swept all such fripperies away to become the dearest friend of
Goethe. His duchess (whose courage both extorted Napoleon’s admiration
and saved her husband from further proofs of his ire) was a woman of
grand character, and as great a contrast, except in what was really best
in both of them, to her lively mother-in-law as could well be imagined.
She insisted on the most uncompromising observance of etiquette, and wore
to the last day of her life the costume which had prevailed in the years
when she was young.
Of this remarkable trio of exalted personages it was the reigning duchess
whom Madame de Staël selected for her friend. Indeed, she never mentions
the Dowager Duchess in corresponding with the daughter-in-law, and in
her _Allemagne_ dismisses the Grand Duke with a few lines, in which
she alludes to his military talents and speaks of his conversation as
_piquante_ and thoughtful.
From Weimar, Madame de Staël went to Berlin, with letters from their
highnesses of the little court to the lovely and charming Queen Louise.
In a well-known letter to the Grand Duchess (the first of their long
correspondence), she records a _fête_ which took place immediately
after her arrival. It was a masquerade representing Alexander’s return
to Babylon; and the beautiful queen, of whom Madame de Staël is lost
in admiration, danced in it herself. To this pageant succeeded various
costume quadrilles, in which Kotzebue appeared as a priest of Mercury,
poppy crowned, caduceus in hand, and so ugly and awkward, that Madame de
Staël wonders why her imagination was not irretrievably ruined by the
sight of him.
One likes to think of her at this court in the midst of such famous and
distinguished people; the personages so outwardly brilliant, so inwardly
dull, who surrounded her having vanished down the gulfs of Time, her
own unique personality stands out vividly against the picturesque but
confused background reconstructed by our fancy.
At Berlin she first saw and liked August Wilhelm Schlegel, destined
later to be so unwelcome to Sismondi, Bonstetten, and her other friends
at Coppet. She succumbed at once to the varied attractions of his
colossal learning, his surprising linguistic accomplishments, and his
great conversational powers. She felt that here was a foeman worthy of
her steel, and she magnanimously overlooked his acerbity, his pedantry
and vanity. She had indeed a royal indifference to the defects of great
minds. It was only the greatness she cared for.
Public-domain text, read in full here on John Shaqi.
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