Madame Flirt: A Romance of 'The Beggar's Opera'Pearce, Charles Edward
General
Madame Flirt: A Romance of 'The Beggar's Opera'
Pearce, Charles Edward
Ballad opera -- Fiction; Fenton, Lavinia, 1708-1760 -- Fiction
Vane's wound was roughly bandaged, and he was taken to the boat still
unconscious. The journey by water was made, and he was landed safely at
the foot of London Bridge and consigned to the care of Dr. Mountchance,
whose scruples at taking charge of a wounded man who might probably die
in his house were easily overcome.
A few days later the following paragraph appeared in the _Daily Post_:
"We learn that an affair of honour has taken place between A----d
D----e, Esqr., of the Temple, and Mr. L----t V----e, a young
gentleman lately come from Cambridge University, in which the said
young gentleman made the acquaintance of the Templar's sword,
causing him temporary inconvenience. The cause of the difference
was the fair S----y S----y, well known to many men of fashion."
It was this paragraph which sent Lavinia into a paroxysm of emotion and
made her tear the newspaper in twain.
CHAPTER XXII
"MOLL'S SINGIN' BROUGHT HER LUCK AND MAY BE YOURS WILL TOO"
The months went over. Huddy's "travelling" theatrical troupe had been
paying a round of visits to various towns in the home counties,
performing in innyards, barns, any place suitable for the purpose and
where no objections were raised by the justices. Actors and actresses
were "rogues and vagabonds" when it suited prim puritans to call them
so, and more than once Huddy and his company had to take a hurried
departure from some town where play-acting was looked upon as ungodly
and a device of Satan to ensnare the unsuspecting.
All this was in the day's work. Lavinia thought nothing of it. She had
been in her youthful days harried from pillar to post and knew what it
meant. The important thing to her was that she was getting a vast amount
of stage experience, and as she was a quick "study" she had no
difficulty in taking on a new role at a day's notice.
Lavinia remained with Huddy's until she had all the devices of the stage
at her finger's ends. In a way theatrical training was easier then than
now. Acting was largely a question of tradition. What Betterton, Wilks,
Barton Booth, Mrs. Bracegirdle, Mrs. Barry, Mrs. Oldfield did others had
to do. Audiences expected certain characters to be represented in a
certain way and were slow to accept "new readings." Comedy, however, had
more latitude than tragedy, and as comedy was Lavinia's line her winsome
face and pleasing smile and her melodious voice were always welcome, and
when she had a "singing" part she brought down the house.
Of course the life was hard--especially when the share of the receipts
which fell to the minor members was small--but it was full of variety
and sometimes of excitement. If the work did not entirely drive away the
remembrance of Lancelot Vane it enabled her to look upon the romance of
her early maidenhood with equanimity. Her love affair had become a
regret tinged with a pleasureable sadness.
Public-domain text, read in full here on John Shaqi.
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