Madame Flirt: A Romance of 'The Beggar's Opera'Pearce, Charles Edward
General
Madame Flirt: A Romance of 'The Beggar's Opera'
Pearce, Charles Edward
Ballad opera -- Fiction; Fenton, Lavinia, 1708-1760 -- Fiction
Gay's friends filled a box next to that occupied by the Duke of Argyll,
an enthusiastic patron of the stage. Gay himself was there supported on
either side by Pope, Dr. Arbuthnot, Bolingbroke and others. Dean Swift,
who had had so much to do with the inception of the opera and who had
contributed to it some of the most stinging verse, would have been
present had he not been in Ireland at the death-bed of his beloved
Stella, and so also would have been Congreve but that he was blind and
in feeble health.
It was seen at the very commencement that the audience was not disposed
to accept the innovations of the "Beggar's Opera" without protest. To
begin with there was no time-honoured prologue, and worse, there was no
preliminary overture. They could not understand the dialogue between a
player and the beggar, introduced as the author, with which the opera
opens. They grumbled loudly. They thought they were to be defrauded of
their usual music and they wouldn't allow the dialogue to proceed. Jack
Hall who as a comedian was acceptable all round was sent on by the
troubled manager to explain.
Hall advanced to the edge of the stage. There were no footlights in
those days. Favourite though Jack Hall was not a hand nor a voice was
raised to greet him. Jack Hall lost his nerve--which, however, as it
turned out was the most fortunate thing which could have happened--and
this is what he stammered out:
"Ladies and gentlemen, we--we--beg you'll not call for first and second
music because you all know there is never any music at all at an opera!"
A roar of laughter followed this unique apology accentuated by the
unconsciously comical twist of Hall's face with which the audience were
so familiar; good humour was restored, the dialogue was permitted to be
finished and the grumblers were further appeased by the playing of Dr.
Pepusch's overture.
More pitfalls had to be got over safely. Every eye was turned on Sir
Robert's heavy rubicund, impassive face when Peachum sang the verse:
"The priest calls the lawyer a cheat,
The lawyer be-knaves the divine,
And the statesman because he's so great,
Thinks his trade as honest as mine!"
The statesman in the box, whatever he might have felt, was far too
astute to show any sign of ill temper. His eternal smile was as smug as
ever and so also was it over the duet in the second act:
"When you censure the age
Be cautious and sage
Lest the courtiers offended should be;
If you mention vice or bribe,
'Tis so pat to all the tribe,
Each cries 'That was levelled at me.'"
The audience were somewhat timid in applauding this, though all felt how
apt it was, until they saw Walpole actually clapping his hands, and then
they followed suit right heartily.
Public-domain text, read in full here on John Shaqi.
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