Madame Flirt: A Romance of 'The Beggar's Opera'Pearce, Charles Edward
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Madame Flirt: A Romance of 'The Beggar's Opera'
Pearce, Charles Edward
Ballad opera -- Fiction; Fenton, Lavinia, 1708-1760 -- Fiction
A masquerade was in full swing at a mansion in Leicester Square. The air
of the ball-room was hot and stuffy. Ventilation was a thing of little
account. The light, albeit there were a hundred candles or so in the
sconces, on the panelled walls, and in the chandelier hanging from the
decorated ceiling, and despite the assiduous snuffing by the servants,
was dim. The subdued illumination was not without its advantage. It was
merciful to the painted faces and softened the crudity of their raw
colouring. A mixture of odours offended the nostrils. Powder came off in
clouds, not only from the hair of the belles but also from the wigs of
the beaux. Its peculiar scent mingled with a dozen varieties of the
strong perfumes in vogue, and the combination was punctuated by a dash
of oil from a smoky lamp or two in the vestibule and an occasional waft
of burnt tallow and pitch from the torches of the link boys outside.
The masquerade was public and the company was mixed. The establishment
provided punch, strong waters and cordials and some of the visitors had
indulged themselves without scruple. The effect was seen in the cheeks
of matrons and damsels where they were not daubed. It added brilliancy
to many an eye--it gave a piquancy and freedom to talk, greatly
appreciated by the gallants. As for the dancing, in that crowded room
owing to the space monopolised by the prodigious hoops and the general
exhilaration, the stately minuet and sarabande were out of the question,
and the jig and country dance were much more in favour.
In a side room cards and dicing were going on and the gamblers were not
to be drawn from the tables while they had money in their pockets. Most
of them were women, and when the grey dawn came stealing between the
curtains of the long narrow windows, overpowering the candlelight and
turning it of a pale sickly yellow, the players were still seated, with
feverish hands, haggard faces and hawk-like eyes, pursuing their race
after excitement. A silence had come over the party. The play was high
and the gamesters too absorbed to note anything but the game. From the
ball-room came the sound of violin, flute and harpsichord, shrieks of
shrill laughter, oaths from drunken wranglers and the continual thump of
feet.
Then the servants brought in coffee, extinguished the candles and drew
back the curtains.
"Good lord, we're more like a party of painted corpses than creatures of
flesh and blood," cried a lady with excessively rouged cheeks, bright
bird-like eyes and a long, thin hooked nose. "I declare positively I'll
play no more. Besides the luck's all one way, but 'tis not my fault. I
don't want to win every time."
"How generous--how thoughtful of your ladyship," sarcastically remarked
a handsome woman on the other side of the table.
"What do you mean, madam?" fiercely inquired the first speaker who was
now standing.
Public-domain text, read in full here on John Shaqi.
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