Madeline Payne, the Detective's DaughterLynch, Lawrence L.
General
Madeline Payne, the Detective's Daughter
Lynch, Lawrence L.
Detective and mystery stories; Fiction
In five minutes more, Cora Arthur stood arrayed in a dark traveling
suit, with a pair of walking boots in one hand, and the key of her
chamber door in the other. Swiftly and silently as a professional
house-breaker, she opened the door and passed out, closing it quietly
behind her.
Like a shadow she glided down the now unlighted stairway, and through
the dark and silent hall, in the direction of the dining-room. Turning
to the left, she paused before a side door, the very door through
which Madeline had escaped on a certain eventful June night, and
noiselessly undid the fastenings. In another moment she was outside,
and the door had closed behind her.
She drew a long breath of relief, and sat down to put on her shoes.
Her escape was well timed; the train for the city, the midnight
express, was due in twenty minutes. Strong would hardly waken before
that time, and then--she would be flying across the country at the
heels of the iron horse.
Rising to her feet, she took one step in the darkness--only one. Then
a light suddenly flashed before her eyes, a heavy hand grasped her
arm, and a gruff voice said: "This is a bad night for ladies to be
abroad. You had better go back, ma'am!"
Cora made a desperate effort to free herself, but the hand held her as
in a vise, and the bull's eye of the dark lantern flashed in her face
as the speaker continued:
"Yes, you are the identical one I am looking for. Got a red
face--toothache didn't make you a trifle lightheaded, did it? Come,
turn about, quick!"
And Cora knew that Madeline Payne had not been as blind as she had
seemed. It was useless to struggle, useless to protest. The strong
hand pushed her toward the entrance. The man gripped the lantern in
his teeth, while he opened the door, and pushing her through, followed
after. Closing the door again, and never once releasing his hold upon
her, he forced her unwilling feet to retrace their steps, saying, as
they ascended the stairs:
"Show the way to your own room, if you don't want me to rouse the
house."
Quivering with rage, Cora pointed to the door, and was immediately
ushered, with more force than politeness, back into her own
dressing-room and the presence of her still insensible maid.
"Now, then," said her tormentor, "where is Miss Payne's room? No
nonsense, mind; I'm not a flat."
Cora, thoroughly convinced of the truth of this statement, sullenly
directed him to Madeline's door.
"Stand where you are," was the next command of the man; "it might jar
your tooth to move."
And Cora stood where he had left her, while he aroused Miss Payne and
communicated to her the news of the night's exploit.
Public-domain text, read in full here on John Shaqi.
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