"I don't see anything very prophetic about that," he said, walking into
the drawing-room, where she followed him, clutching at the lace
handkerchief in her hand. "It was as plain as daylight to any one that
heard him talk and saw what kind of man he was."
"I don't mean your seeing merely that. I could tell from what you said
that you saw a great deal more. Don't you remember what you said about
_professional_ jealousy not being the worst kind of jealousy in the
world? That was the first thing that opened my eyes. I went to the next
_matinée_ to see for myself if it could be true, and if I hadn't been an
idiot I should have realized it all then. But the next day, just before
we left for Berlin, I called on that poor woman, and she seemed so much
easier in mind, I thought I must have misunderstood what you meant and
been mistaken about that look."
"My dear, I don't quite follow you. Aren't you just a little bit
illogical?"
"No, I'm not. I'm perfectly logical. I never was more logical in my
life."
"I suppose you mean that the fellow has got tired of his wife, now that
she's given up her dive, and he's fallen in love with the other woman."
Mrs. Tate rose tragically from her chair and made a sweeping gesture
with her right hand. "With the other woman's _performance_."
Tate looked at her for a moment, with smiling incredulity. "How
ridiculous!" he said.
"That's exactly what I said when you told me he had fallen in love with
his _wife's_ performance. I said it was the most ridiculous thing I'd
ever heard in my _life_. I couldn't have believed it if I hadn't
observed it with my own eyes. But that afternoon I saw him--he stood
near me, leaning against the railing--and I wish you could have seen the
expression in his face while that woman was exhibiting herself,
especially when she made her horrible dives."
For a moment Tate stood without speaking. Then he said:--
"I'm afraid you're putting a romantic interpretation on a very simple
sequence of events. That fellow probably did fall in love with his
wife's performance, and incidentally he liked the money that went with
it. When she stopped her diving and became an ordinary performer, like
thousands of others, she ceased to interest him. Then he looked around
for some one else to be interested in, and when the other acrobatic
person appeared he was just in the condition to be caught."
"I don't believe it. It's a----"
"There's one way, of course, of proving whether you're right or not,"
Tate interrupted, with a quizzical smile.
"What's that?"
"If your theory is correct, the only thing for Madame Le Baron to do is
to go back to her performance. Then she'll meet her rival on her own
ground. From what I've read about that other performer, Madame Le
Baron's dive must be twice as difficult and twice as thrilling as hers."
Public-domain text, read in full here on John Shaqi.
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