Mademoiselle de Maupin, Volume 1 (of 2)Gautier, Théophile
General
Mademoiselle de Maupin, Volume 1 (of 2)
Gautier, Théophile
French fiction -- Translations into English
D'Albert was in the middle of the path--and saw nothing of all this;
for, from time immemorial, it has been the privilege of fathers,
husbands and lovers to see nothing.
"Isnabel," said Théodore, "you are mad, and so are you, Rosette! You
didn't take enough start for your jump, Isnabel, and you, Rosette,
just missed catching your dress on the posts.--You might have killed
yourself."
"What difference would it make?" rejoined Rosette, in such a
melancholy, despairing tone that Isnabel forgave her for having leaped
the barrier.
They rode on for some distance and reached the crossroads where the
huntsmen and the pack were to meet them. Six arched paths, cut through
the dense forest, met at a little stone tower with six sides, on
each of which was carved the name of the road that ended there. The
trees rose so high that they seemed to be trying to spin the woolly,
fleecy clouds that a brisk breeze carried hither and thither over their
towering tops; tall, thick grass and impenetrable thickets provided
hiding-places and strongholds for the game, and the hunt promised to
be a successful one. It was a true forest of an earlier age, with
oaks more than a hundred years old, such trees as we never see, now
that we no longer plant trees and have not the patience to wait for
those that are planted to grow;--a hereditary forest, planted by
great-grandfathers for fathers, by fathers for grandsons, with paths
of enormous width, the obelisk surmounted by a ball, the rock-work
fountain, the inevitable pool, and the keepers with powdered wigs,
yellow leather breeches and sky-blue coats;--one of those dense,
dark forests in which the white, glossy coats of Wouvermans' great
horses stand out in bold relief, and the flaring mouths of the hunting
horns _à la Dampierre_ that Parrocel loves to paint on the backs of
his huntsmen.--A multitude of dogs' tails, shaped like crescents or
reaping-hooks, waved frantically about in a dusty cloud. The signal
was given, the dogs, straining at their leashes, were uncoupled, and
the hunt began.--We shall not undertake to describe with precision
the detours and doublings of the stag through the forest;--we do not
even feel sure whether it was a stag seven years old, and, despite
our investigations on that point, we have not been able to satisfy
ourselves--which is really distressing.--Nevertheless we can but think
that in such a forest, so venerable, so dark, so seignorial, there
could be none but seven-year stags, and we do not see why the one after
which the four principal characters in this romance were galloping on
horses of different colors, and _non passibus æquis_, should not have
been such a one.
The stag ran, like the true stag that he was, and some fifty dogs or
more that followed at his heels were no slight spur to his natural
swiftness of foot. The pace was so fleet that only an occasional bark
could be heard.
Public-domain text, read in full here on John Shaqi.
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