Mademoiselle de Maupin, Volume 2 (of 2)Gautier, Théophile
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Mademoiselle de Maupin, Volume 2 (of 2)
Gautier, Théophile
French fiction -- Translations into English
The image which hitherto had been drawn only faintly and with vague
outlines, the adored, vainly-pursued phantom was there, before my eyes,
living, palpable, no longer in half light and haze, but bathed in
floods of white light; not in a fruitless disguise, but in her true
costume; not in the mocking guise of a young man, but with the features
of the loveliest of women.
I experienced a sensation of unbounded well-being, as if a mountain or
two had been lifted off my chest.--I felt my horror of myself vanish
and I was delivered from the tiresome duty of regarding myself as a
monster. I began to form an altogether pastoral opinion of myself and
all the violets of spring bloomed anew in my heart.
He, or rather she--for I wish to forget that I was stupid enough to
take her for a man--remained a moment motionless on the threshold,
as if to give the assemblage time to utter its first exclamation. A
brilliant light shone upon her from head to foot, and against the dark
background of the corridor that stretched away behind her, the carved
doorway serving as a frame, she glowed as if the light emanated from
herself instead of being reflected simply, and you would have taken her
for a marvellous product of the brush rather than a human creature made
of flesh and blood.
[Illustration: Chapter XI--_The folding-doors slowly opened and closed.
There was a general cry of admiration.--The men applauded, the women
turned scarlet. Rosette alone became extremely pale and leaned against
the wall, as if a sudden revelation were passing through her brain;
* * * I have always suspected her of loving Théodore._]
Her long dark hair, mingled with ropes of huge pearls, fell in natural
ringlets beside her lovely cheeks! her shoulders and her breast were
bare, and I never saw anything so beautiful in the world; the finest
marble would not compare with that exquisite perfection.--How the
life rushes beneath that dark transparent skin! how white the flesh
and at the same time how richly colored! and how happily the changing
golden tints soften the transition from the skin to the hair! what a
fascinating poem in the graceful undulations of those contours, more
supple and velvety than a swan's neck!--If there were words to express
what I feel, I would write you a description fifty pages long; but
languages were made by some donkeys or other who had never looked
closely at a woman's back or breast, and we haven't half enough of the
most indispensable terms.
Public-domain text, read in full here on John Shaqi.
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