Mademoiselle de Maupin, Volume 2 (of 2)Gautier, Théophile
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Mademoiselle de Maupin, Volume 2 (of 2)
Gautier, Théophile
French fiction -- Translations into English
I have always looked upon old women with horror. My mother died very
young; doubtless, if I had seen her grow old slowly, and her features
change imperceptibly, I should have become accustomed to it without a
shock.--In my childhood I was surrounded by none but youthful, laughing
faces, so that I have retained an insurmountable antipathy for old
people. So it was that I shuddered when the lovely widow touched the
dowager's yellow brow with her pure vermilion lips.--It was something
I wouldn't have taken upon myself to do. I know that I shall look like
that when I am sixty; but I can do nothing to prevent it, and I pray
God that I may die young like my mother.
However, the old lady had retained some simple and majestic features of
her former beauty which prevented her from attaining the baked-apple
stage of ugliness that is the lot of women who have been simply pretty
or fresh and healthy: her eyes, although they had crow's feet at the
corners and were covered by great, flabby lids, still retained some
sparks of their former fire, and you could see that, under the reign of
the late king, they might have emitted dazzling flashes of passion.
Her fine and thin nose, slightly hooked like the beak of a bird of
prey, gave to her profile a sort of solemn grandeur, tempered by the
indulgent smile upon her protruding Austrian lip, which was touched
with carmine according to the fashion of the last generation.
Her costume was old-fashioned without being absurd, and was in perfect
harmony with her face; her head-dress was a simple white cap with a
narrow lace border; her long, emaciated hands, which you could see had
once been beautiful, were encased in mittens with no fingers or thumbs;
a dress of the color of dead leaves, with flowered work of a deeper
shade, a black mantle and a paduasoy apron of changing color completed
her toilet.
Old women ought always to dress in that way and respect their
approaching death sufficiently to avoid decking themselves out with
feathers and wreaths of flowers, ribbons of delicate shades and the
countless gewgaws that are suited only to extreme youth. It is of
no use for them to make advances to life; life will have nothing
to do with them; they have their pains for their trouble, like the
superannuated courtesans who plaster themselves with red and white
paint and whom drunken mule-drivers repulse with insults and kicks.
The old lady welcomed us with the ease of manner and exquisite courtesy
characteristic of those people who were of the old court, the secret of
which we seem to be losing from day to day, like so many other valuable
secrets--and in a voice which, though broken and trembling, was still
extremely sweet.
Public-domain text, read in full here on John Shaqi.
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