Mademoiselle de Maupin, Volume 2 (of 2)Gautier, Théophile
General
Mademoiselle de Maupin, Volume 2 (of 2)
Gautier, Théophile
French fiction -- Translations into English
She took my arm again and we walked on toward the cabin. The fair
widow walked as close to me as possible, and leaned toward me as she
spoke so that her breast was pressed against my sleeve; an extremely
shrewd position and certain to disturb the equanimity of any other than
myself; I could feel distinctly the pure, firm contour and the gentle
warmth; furthermore I could detect a hurried undulation, which, whether
it was genuine or affected, was none the less flattering and seductive.
We arrived thus at the door of the cabin, which I opened by pushing
with my foot; I certainly did not expect the spectacle that was
presented to my eyes.--I supposed that the hut was carpeted with
rushes, with possibly a mat on the ground and a stool or two to sit on.
Nothing of the sort.
It was a boudoir furnished with all imaginable luxury.--The spaces
above the doors and mirrors represented the most amorous scenes from
Ovid's Metamorphoses: Salmaces and Hermaphrodite, Venus and Adonis,
and Apollo and Daphne, and other mythological loves on plain lilac
cameo; the pier-glasses were covered with pompon roses carved with
great delicacy, and little marguerites, of which, by a refinement
of luxury, only the hearts were gilded, the leaves being silvered.
All the furniture was trimmed with silk cord, which was also used to
relieve hangings of the most delicate blue imaginable, marvellously
well adapted to bring out the whiteness and brilliancy of the skin;
the mantel was crowded with a thousand charming and curious things, as
were the consoles and _étagères_, and there was an abundant supply of
easy-chairs, reclining-chairs and sofas, which proved conclusively that
the retreat was not destined for the most austere avocations, and that
mortification of the flesh was not in vogue there.
A lovely clock in rock-work stood on a richly-incrusted bracket
opposite a large Venetian mirror, in which it was reflected with
strikingly brilliant effect. It had stopped, however, as if it were a
superfluous thing to mark the hours in a place where they were destined
to be forgotten.
I told Rosette that that refinement of luxury pleased me, that I
considered it extremely good taste to conceal the greatest elegance
under an appearance of simplicity, and that I strongly approved of a
woman wearing embroidered petticoats and chemises trimmed with lace,
with an outer garment of simple cloth; it was a delicate attention for
the lover that she had or might have, for which he would be grateful
beyond words, and that it certainly was better to put a diamond in a
walnut than a walnut in a gold box.
Public-domain text, read in full here on John Shaqi.
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