TOREADOR WOUNDED DURING A BULL-FIGHT, BY LIZCANO.] [Illustration: PLATE 451. GUERRITA. BANDERILLERO.] [Illustration: ANTONIO FUENTES.] [Illustration: PLATE 452. LUIS MAZZANTINI AND CUADRILLA.] [Illustration: PLATE 453. BULL-FIGHT. LAST MOMENTS OF A TOREADOR AFTER BEING ATTACKED IN THE ARENA, BY R. NOVAS.] * * * * * THE SPANISH SERIES Crown 8vo. Gilt Top. Price 3/6 net. “Mr. A. CALVERT’S Spanish Series will be heartily welcomed by all students of Spanish art, for it is not too much to say that never before has an attempt been made to present to the public so vast a number of reproductions from quite acceptable photographs of Spanish works of art at so low a price.”--_The World._ “ ...Calculated to give English readers a most comprehensive survey of this fascinating land, and to convey a clear idea of its historic greatness. The get-up of the books is in every way worthy of a series of this magnitude.”--_Sketch._ “Every volume in the Spanish Series has taught us to expect a high standard of excellence.”--_Daily News._ GOYA with 612 illustrations TOLEDO “ 510 “ MADRID “ 453 “ GALICIA --- SEVILLE “ 300 “ MURILLO “ 165 “ CORDOVA “ 160 “ EL GRECO “ 136 “ VELAZQUEZ “ 136 “ THE PRADO “ 220 “ THE ESCORIAL “ 278 “ SCULPTURE IN SPAIN “ 140 “ VALENCIA AND MURCIA “ 300 “ ROYAL PALACES OF SPAIN “ 164 “ VIZCAYA AND SANTANDER SPANISH ARMS AND ARMOUR “ 386 “ GRANADA AND THE ALHAMBRA “ 460 “ LEON, BURGOS AND SALAMANCA “ 462 “ CATALONIA AND BALEARIC ISLANDS “ 250 “ THE ROYAL TAPESTRIES AT MADRID “ 200 “ VALLADOLID, OVIEDO, SEGOVIA, } ZAMORA, AVILA AND ZARAGOZA } “ 413 “ * * * * * _UNIFORM WITH THIS VOLUME_ EL GRECO A BIOGRAPHY & APPRECIATION. WITH 136 PLATES In a Series such as this, which aims at presenting every aspect of Spain’s eminence in art and in her artists, the work of Domenico Theotocópuli must be alloted a volume to itself. “El Greco,” as he is called, who reflects the impulse, and has been said to constitute the supreme glory of the Venetian era, was a Greek by repute, a Venetian by training, and a Toledan by adoption. His pictures in the Prado are still catalogued among those of the Italian School, but foreigner as he was, in his heart he was more Spanish than the Spaniards.