Madrid: an historical description and handbook of the Spanish capitalCalvert, Albert Frederick
History
Madrid: an historical description and handbook of the Spanish capital
Calvert, Albert Frederick
Art -- Spain -- Madrid; Madrid (Spain) -- Description and travel
It is now time to examine the productions of the Italian schools of
armourership. The most formidable competitors of the Augsburg family
were the celebrated Missaglias of Milan, who became known exclusively by
the name of Negroli from the year 1515 onwards. Herr Boeheim has found
traces of a Tommaso da Missaglia, who was working at Milan in 1415. His
son, Antonio, made a suit for the last Aragonese King of Naples. Some
specimens of his handiwork are to be seen in Vienna. The members of the
family with whom “Helmschmied” and his son were called upon to compete
were Filippo, Giacomo, and Francesco Negroli. The suit A. 139, forged at
Milan in 1539, and worn by Charles V., is surpassed in purity of outline
and excellence of workmanship by no other in the collection. There is no
trace here of the decadence of the craft. It is at once distinguished
from the German suits by the horizontal direction of the bands. It was
originally blackened, so as to show up the gold and silver of the
decoration. The morion is surmounted by a laurelled comb, on each side
of which run wide bands of gold damascening that meet in front to form a
fantastic face in relief. Hence the name “de los mascarones” sometimes
given to this harness. The date and maker’s names are stamped on the
border. Over the helmet could be placed a re-inforcing piece or “coif”
shaped like a serpent with scales of gold. The breastplate is adorned
with a medallion, containing an image of the Virgin. The shoulder,
elbow, and knee pieces all deserve close examination for their admirable
enrichment with lions’ heads, scrolls, and foliations.
The skill of the Negrolis must be judged, apart from this suit, by
separate pieces of armour. We have, first, the helmet and target
presented to the Emperor by the Duke of Mantua in 1533. The former is
moulded in the likeness of a human head--said to be Charles’
own--covered with golden curls, and encircled over the brow by a laurel
wreath. The beavor is in the form of a curly beard, the lips showing
above it. This cleverly executed, but tasteless, helmet bears the name
of Negroli, and the date 1533. The target, made to match, has a lion’s
head and mane at the boss, and a wide border, where medallions with the
Imperial arms are shown upheld by griffins and interwoven amid foliage.
Public-domain text, read in full here on John Shaqi.
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