Madrid: an historical description and handbook of the Spanish capitalCalvert, Albert Frederick
History
Madrid: an historical description and handbook of the Spanish capital
Calvert, Albert Frederick
Art -- Spain -- Madrid; Madrid (Spain) -- Description and travel
Hundreds of volumes have been written in Spain upon the art of
bull-fighting, the history of the ring, the lives of eminent _toreros_,
and the records of famous arenas. Bull-fighting has produced an array of
ardent chroniclers, poets, and hosts of journalists, and it has
quickened the brush or pencil of artists from before the time of Goya
down to Zuloaga.
The breeding of bulls for the ring may be described as one of the
national industries of Spain. Noblemen endeavour to keep up the breed
and the fighting qualities of bulls, and the rearing of bulls is the
proper occupation of a gentleman. The beautiful Duchess of Alba, the
friend of Goya, was an enthusiastic admirer of the sport, and a breeder
of bulls. The _vacadas_ or breeding establishments of Andalusia produce
the finest fighting bulls. They are considered fit for the combat, or
warrantable, at the age of five years, when their value averages about
£50 each. Over a thousand of these highly-bred animals are killed in the
bull-rings of Spain annually, while the number of horses gored to death
is very much larger.
In the old days bull-fights were mimic representations of warfare, in
which the true caballero aspired to take part and to distinguish
himself. The _toreros_ were amateurs belonging to high families, and
several of the kings of Spain were expert exponents of the art of the
_espada_. Accidents and deaths in the arena were of common occurrence,
sometimes several knights were killed during a single performance. At
all royal _fêtes_ a bull-fight was part of the amusement provided. If a
prince was born, or married, the event was celebrated by a grand display
of bull-fighting, while the coronation of a sovereign was always made
the occasion for a brilliant spectacle in the ring. In Madrid these
fights were held in the Plaza Mayor, a big quadrangle in the centre of
the city. The plaza is surrounded by houses of several storeys high,
having balconies and an arcade. The Panaderia, or Royal Bakery, served
as a royal stand, and here the Court assembled in the balconies to
witness the feats of the grandees, who engaged the fierce bulls with
lances. No one of vulgar rank was permitted to take part in the
contest.
In the early days the torero sometimes encountered the bull with a
spear, on foot, as may be seen in old bull-fighting prints. The use of
horses in the ring came later. Dogs were often set upon the bulls, to
incense them, and up to the year 1840 bears and other animals were
introduced into the ring. These _combats_ have been abandoned. In the
old bull-fighting bills we read of “a grand fight between a big elephant
and two big bulls.” The dogs were of proven courage, and bred for
strength and endurance. They often succeeded in pinning the bull by the
nose, and holding his head down; but frequently they lost their lives on
the points of his horns. Théophile Gautier, in “Wanderings in Spain,”
describes this bull-baiting by dogs.
Public-domain text, read in full here on John Shaqi.
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