Madrid: an historical description and handbook of the Spanish capitalCalvert, Albert Frederick
History
Madrid: an historical description and handbook of the Spanish capital
Calvert, Albert Frederick
Art -- Spain -- Madrid; Madrid (Spain) -- Description and travel
[Illustration: PLATE 139.
SAN ANTONIO DE LA FLORIDA. PAINTINGS ON THE CENTRES OF THE INTRADOS OF
THE CHOIR AND PRINCIPAL CHAPEL ARCHES, BY GOYA.]
[Illustration: PLATE 140.
SAN ANTONIO DE LA FLORIDA. PAINTINGS ON THE SPRINGINGS OF THE INTRADOS
OF THE PRINCIPAL CHAPEL ARCHES, BY GOYA.]
[Illustration: PLATE 141.
SAN ANTONIO DE LA FLORIDA. PAINTINGS ON THE SPRINGINGS OF THE INTRADOS
OF THE CHOIR ARCHES, BY GOYA.]
[Illustration: PLATE 142.
SAN ANTONIO DE LA FLORIDA. PAINTINGS ON THE INTRADOS OF THE CHAPEL ARCH,
LEFT SIDE, BY GOYA.]
[Illustration: PLATE 143.
SAN ANTONIO DE LA FLORIDA. PAINTINGS ON THE INTRADOS OF THE CHAPEL ARCH,
RIGHT SIDE, BY GOYA.]
[Illustration: PLATE 144.
SAN ANTONIO DE LA FLORIDA. TRIANGLES FORMED BY THE DOME ADJOINING THE
PRINCIPAL CHAPEL, BY GOYA.]
[Illustration: PLATE 145.
SAN ANTONIO DE LA FLORIDA. TRIANGLES FORMED BY THE DOME ADJOINING THE
CHOIR, BY GOYA.]
[Illustration: PLATE 146.
SAN ANTONIO DE LA FLORIDA. PAINTINGS AT THE LEFT SIDES OF THE WINDOWS OF
THE DOME, BY GOYA.]
[Illustration: PLATE 147.
SAN ANTONIO DE LA FLORIDA. PAINTINGS AT THE RIGHT SIDES OF THE WINDOWS
OF THE DOME, BY GOYA.]
[Illustration: PLATE 148.
SAN ANTONIO DE LA FLORIDA. FIRST GROUP ON THE CUPOLA TO THE LEFT OF THE
CENTRE, BY GOYA.]
[Illustration: PLATE 149.
SAN ANTONIO DE LA FLORIDA. SECOND GROUP ON THE CUPOLA TO THE LEFT OF THE
CENTRE, BY GOYA.]
[Illustration: PLATE 150.
SAN ANTONIO DE LA FLORIDA. CENTRE OF THE COMPOSITION ON THE CUPOLA
FACING THE ENTRANCE, BY GOYA.]
[Illustration: PLATE 151.
SAN ANTONIO DE LA FLORIDA. FIRST GROUP ON THE CUPOLA TO THE RIGHT OF THE
CENTRE, BY GOYA.]
[Illustration: PLATE 152.
SAN ANTONIO DE LA FLORIDA. SECOND GROUP ON THE CUPOLA TO THE RIGHT OF
THE CENTRE, BY GOYA.]
[Illustration: PLATE 153.
THE PRADO.]
[Illustration: PLATE 154.
THE PRADO.]
[Illustration: PLATE 155.
THE PRADO GALLERY.]
[Illustration: PLATE 156.
THE PRADO. THE VELAZQUEZ GALLERY.]
[Illustration: PLATE 157.
MADRID PICTURE GALLERY]
[Illustration: PLATE 158.
MADRID PICTURE GALLERY.]
[Illustration: PLATE 159.
SCENE IN THE LIFE OF SANTO DOMINGO DE GUZMAN, BY PEDRO BERRUGUETE.
PRADO.]
[Illustration: PLATE 160.
ECCE HOMO, BY LUIS DE MORALES.
PRADO.]
[Illustration: PLATE 161.
THE BAPTISM OF CHRIST, BY NAVARRETE.
PRADO.]
[Illustration: PLATE 162.
PORTRAIT OF DON CARLOS, SON OF PHILIP II., BY ALONSO SÁNCHEZ COELLO.
PRADO.]
[Illustration: PLATE 163.
THE INFANTAS ISABEL CLARA EUGENIA AND CATALINA MICAELA, DAUGHTERS OF
PHILIP II., BY ALONSO SÁNCHEZ COELLO.
PRADO.]
[Illustration: PLATE 164.
JACOB RECEIVING THE BLESSING OF HIS FATHER ISAAC, BY RIBERA.
PRADO.]
[Illustration: PLATE 165.
VISION OF ST PETER THE APOSTLE TO ST PETER NOLASCO, BY ZURBARÁN.
PRADO.]
[Illustration: PLATE 166.
LOS BORRACHOS, BY VELAZQUEZ.
PRADO.]
[Illustration: PLATE 167.
THE FORGE OF VULCAN, BY VELAZQUEZ.
PRADO.]
[Illustration: PLATE 168.
THE SURRENDER OF BREDA, BY VELAZQUEZ.
PRADO.]
[Illustration: PLATE 169.
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