_That_ branch is a safe passport to Hades. It is sacred, not to a tree-spirit named Diana, but to Infernal Juno, or Proserpine. It cannot be broken by a fugitive slave, or anybody else; no, nor can it be cut with edge of iron. None but he whom the Fates call can break it. It yields at a touch of the predestined man, and another golden branch grows instantly in its place. _Ipse volens facilisque sequetur,_ _Si te fata vocant._ _Primo avulso non deficit alter_ _Aureus._ Virgil's bough thus answers to the magical sword set in a stone in the Arthurian legends, in a tree trunk in the Volsunga Saga, as Mr. H. S. O. Everard reminds me. All the knights may tug vainly at the sword, but you can draw it lightly, _si te fata vocant_, if you are the predestined king, if you are Arthur or Sigmund. When Æneas bears _this_ bough, Charon recognises the old familiar passport. Other living men, in the strength of this talisman, have already entered the land of the dead. _Ille admirans venerabile donum_ _Fatalis virgæ, longo nunc tempore visum._ I have collected all these extraordinary attributes of Virgil's bough (in origin, a suppliant's bough, perhaps), because, as far as I notice, Mr. Frazer lays no stress on the many peculiarities which differentiate Virgil's bough from any casual branch of the tree at Aricia, and connect it with the mystic sword. The 'general reader' (who seldom knows Latin) needs, I think, to be told precisely what Virgil's bough was. Nothing can be more unlike a branch, any accessible branch, of the Arician tree, than is Virgil's golden bough. It does not grow at Aricia. It is golden. It is not connected with a tree-spirit, but is dear to Proserpine. (I easily see, of course, that Proserpine may be identified with a tree spirit.)[23] Virgil's branch is not to be plucked by fugitive slaves. It is not a challenge, but a talismanic passport to Hades, recognised by Charon, who has not seen a specimen for ever so long. It is instantly succeeded, if plucked, by another branch of gold, which the Arician twig is not. So I really do not understand how Mr. Frazer can identify Virgil's golden bough with an ordinary branch of a tree at Aricia, which anybody could break, though only runaway slaves, strongly built, had an interest in so doing. Still less do I think that Virgil meant to identify his branch of gold with mistletoe. He does the reverse: in a poetic simile he compares his bough to mistletoe. A poet does not compare a thing to itself![24] Mr. Frazer cites the Welsh for mistletoe--_pren puraur_, tree _d'or pur._ In places, also, mistletoe is used for divining rods, which may be employed by gold-hunters. What wood is _not_ thus used?[25] Like other magical plants, mistletoe is gathered at the solstices, when fern-seed is fabled to flame. Must not the golden bough, like the golden fern-seed, be an emanation of the sun's fire? The older solar mythologists would have had not a doubt of it.[26]