Magic Shadows: The Story of the Origin of Motion PicturesQuigley, Martin
History
Magic Shadows: The Story of the Origin of Motion Pictures
Quigley, Martin
Lantern projection; Motion pictures -- History
The Lumière Cinématographe was widely hailed. In his usual generous
manner, Marey praised the accomplishment even though he must have been
disappointed that others had achieved what he had long been seeking.
The Cinématographe was shipped to England and the United States at
an early date. In New York it was exhibited first in June, 1896, at
Keith’s 14th Street Theatre, on Union Square. In both countries it was
a stimulus to imitators. It continued to be one of the best projectors
available for some time. The Lumière claw drive, however, was not as
satisfactory as the Maltese-cross type used on some projectors from
about 1870 and adopted by Edison for the camera, and it gradually
yielded to the newer models.
The Lumières continued to maintain a lively interest in motion picture
developments even after their success with the camera and projector.
In 1897 they devised a safety condenser as a protection against the
fire hazard; in 1898 a peep-show viewing model, and in 1903 they
began a study of the possibilities of direct photographing of colors.
This research led to a good color process which was later introduced
commercially.
In England, Robert William Paul (1869–1943), scientific
instrument-maker, who was the son of a London ship owner, was asked by
George Georgiades and George Trajedis, two Greeks, to duplicate the
Edison Kinetoscope. Georgiades and Trajedis had bought Kinetoscopes in
New York from Holland Bros., eastern agents of the first Kinetoscope
Company and brought them to London where they were exhibited in
October, 1894, at a store in Old Broad Street. Paul inspected the
Kinetoscope and knew he could copy it. But he did not believe he was
free to do so, feeling sure that Edison had already patented the
machine in England. Investigation showed that no such action had been
taken. Thereupon at his work shop in Hatton Garden, London, Paul made
Kinetoscopes for the two Greek exhibitors and also for himself. With
his own machines he opened a display at Earl’s Court, London. Soon Paul
began work on a camera and projector based on the Kinetoscope peep-show
device.
Public-domain text, read in full here on John Shaqi.
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