Magic Shadows: The Story of the Origin of Motion PicturesQuigley, Martin
History
Magic Shadows: The Story of the Origin of Motion Pictures
Quigley, Martin
Lantern projection; Motion pictures -- History
After perfecting the Kinetoscope, Mr. Edison turned his attention
to his original plan of inventing a machine capable of showing
the moving figures and scenes, life-size, before a large
audience. His ideas soon took practical form, and as long ago as
last Summer a very creditable result was obtained; but Mr. Edison
was unwilling to give his unqualified approval until the highest
practicable success had been achieved. Since then, Mr. Edison’s
experts have been putting his ideas and suggestions to practical
test and execution and, in addition, some of the original ideas
and inventive skill of Mr. Thomas Armat (the rising inventor, of
Washington, D. C.) have been embodied in the Vitascope; the final
result being that today it can almost be said that the impossible
had been accomplished, and a machine has been constructed which
transforms dead pictures into living moving realities.
On the last page of the advertising brochure for the Vitascope it was
asserted that the rights were controlled for the world. If that had
been true the Edison firm would have reaped an incalculable fortune.
But by this time many projection machines and cameras by diverse
manufacturers were coming into use in many countries.
Magic shadows--living reproductions of people and the world--at last
had reached the screen.
* * * * *
But there still remained a long and important step to be taken in
order that the true fidelity of living pictures could be achieved.
Sound needed to be added to sight. So again, thirty years later, magic
shadow history was made--this time at the Winter Garden theatre in New
York City, on October 6, 1927. The event was the premiere of “The Jazz
Singer,” starring Al Jolson and presenting the Vitaphone system of
talking motion pictures. This rounding out of the faculties of magic
shadows came through the enterprise of the Warner brothers--Harry,
Sam, Albert and Jack--and the technological achievements of Dr. Lee
DeForest, Theodore Case, Charles A. Hoxie and the others who gave the
screen its voice.
[Illustration:
French Information Service
_LOUIS LUMIERE, inventor of the Cinématographe camera and projection
system._]
[Illustration:
Cambridge Instrument Co.
_ROBERT W. PAUL, instrument maker, constructed cameras and projectors
in England._]
[Illustration: The Vitascope being Exhibited in a Theatre or Public
Hall.
(The machine can be just as successfully exhibited in vacant
store-rooms, etc.)
Vitascope Brochure, 1896
_VITASCOPE, Edison made, Armat designed, as an artist saw it in
action--drawn for the first advertising promotion booklet, New York in
1896._]
Public-domain text, read in full here on John Shaqi.
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