Magic Shadows: The Story of the Origin of Motion PicturesQuigley, Martin
History
Magic Shadows: The Story of the Origin of Motion Pictures
Quigley, Martin
Lantern projection; Motion pictures -- History
Thus the chronology of magic shadows, or the origin of
the motion picture, concludes with a roll of names of men
of many nations, a point illustrative both of the universal
appeal of the motion picture and of the long and diverse
collection of individuals who contributed to the development
of the art-science.
_Appendix II_
BIBLIOGRAPHY
_and Acknowledgements_
The pursuit of the story of the origin of the motion picture has been
carried on intermittently since the Winter of 1936–37. As historical
books must be, it is based mainly on the written record. Efforts
were made, whenever possible, to go directly to the source material.
The whole field of books on the motion picture, as well as standard
biographical and scientific works, was surveyed.
Research was conducted principally at the following libraries: Library
of Congress, Georgetown University, Surgeon General’s, in Washington,
D. C., New York Public and Columbia University in New York City. Work
was also done at the Academy of Motion Picture Arts and Sciences,
Hollywood; New York Engineering Societies, the British Museum, London;
Trinity College, Dublin, and Vittorio Emanuele--formerly Collegio
Romano--library, Rome. Part of the original Kircher Museum at Rome, was
inspected in the Summer of 1939. (The early projector models, according
to the evidence now available were destroyed shortly after Kircher’s
death.) The 1939 exhibit of the works of Leonardo da Vinci in Milan was
visited.
Terry Ramsaye, author of _A Million and One Nights--A History of the
Motion Picture_, and editor of _Motion Picture Herald_, is responsible
for suggesting lines of study which led to the decision to write this
book. Also, he has rendered valuable guidance and assistance especially
in connection with the early American motion picture pioneers, and in
reading the manuscript and contributing the foreword.
Special thanks are due to members of the faculty of Georgetown
University for making available works in the Riggs Memorial Library
of that institution and giving assistance on special aspects of the
subject. The writer likewise is grateful for having had the opportunity
of consulting books in the splendid Epstein Photographic Collection at
the Columbia University Library, and for biographical notes on Robert
W. Paul secured through the Cambridge Instrument Company. Appreciation
is expressed to Rev. Hunter Guthrie, S.J., dean of the Graduate School,
Georgetown University, and to Dr. Alfred N. Goldsmith, consulting
engineer, for kindness in reading proofs and offering invaluable
suggestions.
BIBLIOGRAPHY
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