Magic Shadows: The Story of the Origin of Motion PicturesQuigley, Martin
History
Magic Shadows: The Story of the Origin of Motion Pictures
Quigley, Martin
Lantern projection; Motion pictures -- History
Plateau, a Belgian scientist who became blind in work that resulted
in making it possible for millions all over the world to see motion
pictures, deserves more than anyone else the title, “Father of the
Motion Picture.” Just as Athanasius Kircher originated projection as we
know it with the magic lantern, Joseph Antoine Ferdinand Plateau has
the best claim of all to credit for making the motion picture illusion
a reality.
Never interested in profits for himself, Plateau did not trouble to
patent his magic disk picture machines but took pains to issue correct
instructions when commercial imitators made devices lacking in some
essential.
Plateau was born on Oct. 14, 1801, at Brussels, Belgium, the son of
a landscape and flower painter. His mother was the former Catherine
Thirion. From earliest boyhood, Plateau was trained to be an artist and
the nature of his studies and work in later life indicated that he must
have shown great promise, for he had the temperamental qualities of a
great artist. After his elementary studies, his father lost no time in
directing his son’s attention towards the arts by sending him to the
Academy of Design at Brussels.
At the age of 14 Plateau was left an orphan, and was made a ward of
his maternal uncle. In delicate health young Plateau was sent into
the country to recuperate from the shock of losing both his parents
in two years. The location selected was near Waterloo and Plateau had
to take shelter in the woods for ten days and nights while the battle
raged. Soon the plans Plateau’s father had made for him to study art
were altered. The uncle was a lawyer and wished his ward to succeed
him in that profession. Plateau himself evidently was strong-willed
and persevering even at an early age, for during the next few years he
studied both arts and sciences. This would make it possible for him to
follow his father’s, his uncle’s, or his own wish. He wanted to strike
out into a new field, and this he did.
Higher studies were carried on at the Royal College and in 1822, at
the age of 21, Plateau entered the University of Liége as a candidate
for a degree both in philosophy and letters, and in science. As
the years progressed Plateau turned more and more of his attention
toward science, especially problems concerning color, vision and the
perception of motion. But all through life he retained the fullness of
viewpoint of a man with a background and interests in many fields so
his imagination never was dulled, as sometimes happens in the cases of
specialists in a restricted field of science. The art of his father
never left him.
While studying for the doctorate Plateau carried on his first important
work in vision and motion which resulted in the scientific approach to
the first motion picture machine. He investigated the visual effects of
whirling a disk which was colored half in yellow, half in blue.
Public-domain text, read in full here on John Shaqi.
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