Magic Shadows: The Story of the Origin of Motion PicturesQuigley, Martin
History
Magic Shadows: The Story of the Origin of Motion Pictures
Quigley, Martin
Lantern projection; Motion pictures -- History
A few weeks later, on December 24, 1824, Roget lectured on the
persistence of vision with regard to moving objects, a phenomenon first
recognized by the ancient scientists.
Plateau wrote in 1828 as follows:
I have made an instrument by means of which I could produce
these fixed images with ease and I also could make visible the
formation of changes in the curvature ... when working at my
first experiments relative to sensations, I observed that while
turning rapidly a wheel whose teeth were perpendicular to its
axis, and placing the eye at some distance from the plane of the
axis, one perceived the image of a series of perfectly immobile
teeth; that also with two wheels revolving, the one behind the
other, with considerable speed and in opposite directions,
produced in the eye the sensation of a fixed wheel. I have
remarked further that, while the two wheels are not concentric,
the fixed image appears to be made up of curved lines.
Today stroboscopic machines, based on the principles of Plateau’s
devices, are used to study moving objects. In this way modern
scientists learn more about the nature of movement and its stresses on
wheels and other objects.
Plateau received the degree of doctor of physical and mathematical
sciences from the University of Liége on June 3, 1829, when he was
28. His thesis was on “Certain Properties of the Impressions Produced
by Light upon the Organ of Sight.” It is strange that such a learned
paper would have so much influence on what was to be the modern motion
picture.
The chief points--all of importance in building motion pictures--of the
Plateau thesis dated April 24, 1829, were: First, the sensation (result
of the picture presented to the eye) must stay for a time to form
completely--this hinted definitely at the necessity of intermittent
movement for a really successful and practical motion picture machine.
Second, the sensations do not disappear immediately but gradually
dim--this makes motion pictures possible. If each image disappeared
all at once, only individual still pictures would be recognized. The
gradually dimming makes possible fusion of one image with the next
which results in appearance of motion. The third point covered was the
relative effect on the eye of various colors. Plateau concluded that
the intensity of the chief colors decreased from white, yellow, red,
blue--in that order. He also announced results of perception of various
colors at different angles, studies made in the shade and in the light.
It was further pointed out that two colors--as two images--changed
rapidly result in only one sensation or image.
After receiving his doctor’s degree from the University, Plateau taught
at the Royal College of Liége while he continued his research on vision
and related matters.
[Illustration:
Annuaire, L’Académie de Belgique, 1885
_JOSEPH PLATEAU sacrificed his own eyesight in an effort to enable
others to see pictures in motion._]
Public-domain text, read in full here on John Shaqi.
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