Magnum Bonum; Or, Mother Carey's BroodYonge, Charlotte M. (Charlotte Mary)
General
Magnum Bonum; Or, Mother Carey's Brood
Yonge, Charlotte M. (Charlotte Mary)
Domestic fiction; England -- Social life and customs -- 19th century -- Fiction; Religious fiction
“Get Mother Carey to write it,” suggested his cousin John.
“No; she must know nothing about it,” said Bobus.
“She’d think it a jolly lark,” said Jock.
“When it’s over,” said Allen. “But it’s one of the things that the old
ones are sure to stick at beforehand, if they are ever so rational and
jolly.”
“‘Tis a horrid pity she is not a fellow,” sighed Johnny.
“And who’ll do the verses?” said Rob.
“Oh, any fool can do them,” returned Bobus. “The point is to bell the
cat.”
“There’d be no getting in to act the midnight ghost,” said Allen.
“No,” said Jock; “but one could hide in the big rhododendron in the
wolf-skin rug, and jump out on him in his chair.”
In Allen’s railway rug, Jock rehearsed the scene, and was imitated if
not surpassed by both cousins; but Allen and Bobus declared that it
could not be carried out in the daylight.
“I could do it still better,” said Jock, “if I blacked myself all
over, not only my face, but all the rest, and put on nothing but my red
flannel drawers and a turban. They’d take me for the ghost of the little
nigger he flogged to death, and Allen could write something pathetic and
stunning.”
“You might cut human ears out of rabbit-skins and hang them round your
neck,” added Bobus.
“You’d be awfully cold,” said Allen.
“You could mix in a little iodine,” suggested Bobus. “That stings like
fun, and a coppery tinge would be more natural.”
There was great acclamation, but the difficulty was that the only time
for effecting an entrance into the garden was between four and five in
the morning, and it would be needful to lurk there in this light costume
till Mr. Barnes went out. No one would be at liberty from school but
Allen, and he declined the oil and lamp-black even though warmed up with
iodine.
“Could it not be done by deputy?” said Bobus; “we might blacken the
little fat boy riding on a swan, the statue, I mean.”
“What, and gild the swan, to show how far his golden goose can carry
him?” said Jock.
“Or,” said Allen, “there’s the statue they say is himself, though that’s
all nonsense. We could make a pair of donkey’s ears in Mother Carey’s
clay, and clap them on him, and gild the thing in his hand.”
“What would be the good of that?” asked Robert.
However, the fun was irresistible, and the only wonder was that the
secret was kept for the whole day, while Allen moulded in the studio
two things that might pass for ass’s ears, and secreted cement enough to
fasten them on. The performance elicited such a rapture of applause that
the door had to be fast locked against the incursion of the little ones
to learn the cause of the mirth. When Mother Carey asked at tea what
they were having so much fun about they only blushed, sniggled, and
wriggled in their chairs in a way that would have alarmed a more
suspicious mother, but only made her conclude that some delightful
surprise was preparing, for which she must keep her curiosity in
abeyance.
Public-domain text, read in full here on John Shaqi.
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