Magnum Bonum; Or, Mother Carey's BroodYonge, Charlotte M. (Charlotte Mary)
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Magnum Bonum; Or, Mother Carey's Brood
Yonge, Charlotte M. (Charlotte Mary)
Domestic fiction; England -- Social life and customs -- 19th century -- Fiction; Religious fiction
“Empty-headed dolls are all the go,” said Bobus. “Never mind, Jessie, a
girl’s business is to be pretty and good-humoured, not to stuff herself
with Latin and Greek. You should leave that to us poor beggars!”
“Yes, I know, that’s all your envy and jealousy,” retorted Janet.
All the time Jessie stood by, plump, gentle, and pretty, though with
a certain cloud of perplexity on her white open brow, and as her aunt
returned into the room, she said--
“I think my sum is right now, Aunt Caroline; but Bobus helped me. Must I
do it over again?”
“You shall begin with it to-morrow, my dear,” said her aunt; “then I
daresay it will go off easily.”
Jessie thanked with an effusion of gratitude which made her prettier
than ever, and then was claimed by Bobus to help him in the making of
some paper bags that he needed for some of his curiosities.
Janet liked to fancy that it was beauty versus genius that made Jessie
the greater favourite. She had not taken into account that she was
always too much engrossed with her own concerns to be helpful, while
Jessie’s pretty dexterous hands were always at everyone’s service,
and without in the least entering into the cause of science, she was
invaluable in the museum, whenever her ideas of neatness and symmetry
were not in too absolute opposition to the requirements of system.
The two little ones, Essie and Ellie, were equally graceful, or indeed
still more so, as being still in their kittenhood, and their attitudes
were so charming as to revive their aunt’s artistic instincts.
All the earlier part of the year, when her time was her own, it had been
mere wretchedness and heart-sickness to think of the art which had given
her husband so much pleasure, and, but for Allen, the studio would
never have been arranged. But no sooner was her time engrossed, than
the artist fever awoke in her, and all the time she could steal by early
rising, or on wet afternoons, and birthday holidays, was devoted to her
clay.
Before the end of the autumn she had sent up to Mr. Acton some lovely
little groups of children, illustrating Wordsworth’s poems. She had been
taught anatomy enough to make her work superior to that of most women,
and Mr. Acton found no difficulty in disposing of them to a porcelain
manufactory, to be copied in Parian, bringing in a sum that made her
feel rich.
Vistas opened before her sanguine eyes of that clay educating her son
for the Magnum Bonum, her great thought. Her boys must be brought up to
be worthy of the quest, high-minded, disinterested, and devoted, as well
as intellectual and religious. So said their father; and thus the Magnum
Bonum had become very nearly a religion to her, giving her a definite
aim and principle.
Public-domain text, read in full here on John Shaqi.
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