Main Currents in Nineteenth Century Literature - 1. The Emigrant LiteratureBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 1. The Emigrant Literature
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
these splendours she provides with an accompaniment of subtle, profound
comment.
In this manner the description of Rome, the delineation of Neapolitan
scenery, and that of the tragic beauty of Venice, present themselves
naturally, one after the other. It is in Rome that Corinne's great
passion comes into being; so Rome provides the scenery for the first
act of this love story; its solemn grandeur and wide horizon harmonise
with these profound emotions and serious thoughts. In Naples her
love rises to its highest lyrical expression; here the volcano and
the smiling splendour of the bay are her background, and music upon
the sea accompanies her passionately sorrowful improvisation on the
subject of woman's love and woman's destiny. In Venice, where one is so
perpetually forced to reflect on the decay and annihilation of beauty,
Oswald leaves Corinne for ever.
The news that his regiment is ordered to India recalls him to England.
He considers himself betrothed to Corinne, and hastens to find her
stepmother and secure the restoration of the fugitive to her family
rights. But at Lady Edgermond's he meets Corinne's half-sister, Lucile,
and her modest, womanly loveliness by slow degrees obliterates the
impression made by the elder sister, whose brilliant gifts do not seem
so alluring from a distance, and whose independent, bold appearance
in the full sunshine of public life does not augur well for wedded
happiness in a country where the subdued light of home (with which
Lucile's subdued character is in admirable keeping) is the only one
in which a woman can show herself with advantage. Marriage with
Corinne would be a challenge to society; and he feels that it would,
consequently, be a slight to his father's memory. Marriage with Lucile,
on the other hand, would be unanimously approved of by society. In
Corinne, he would wed the foreign, the far off, that which would
be irreconcilable in the long run with the spirit of his country;
in Lucile, he would wed as it were England itself. Corinne, who in
agonising anxiety has followed him to England, learns his state of
mind, and sends him back his ring. Oswald believes that she has ceased
to love him, and marries Lucile. He learns of the wrong he has done
her, and the story ends tragically with his remorse, and Corinne's
death.
Public-domain text, read in full here on John Shaqi.
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