Main Currents in Nineteenth Century Literature - 1. The Emigrant LiteratureBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 1. The Emigrant Literature
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
Mme. de Staël had always looked upon enthusiasm as a saving power. She
had said in _Corinne_ that she only recognised two really distinct
classes of men--those who are capable of enthusiasm and those who
despise enthusiasts. It seemed to her that in the Germany of that day
she had found the native land of enthusiasm, the country in which it
was a religion, where it was more highly honoured than anywhere else
on earth. Hence it is that she ends her book with a dissertation on
enthusiasm. But this belief in enthusiasm, in the power of imagination
and the purely spiritual faculties, led her to many rash and narrow
conclusions. In her delight in the philosophic idealism of Germany, she
treats experimental natural science with the most naïve superiority--is
of opinion that it leads to nothing but a mechanical accumulation
of facts. Naturphilosophie, on the other hand, which has made the
discovery that the human mind can derive all knowledge from itself by
the conclusions of reason--which, in other words, regards all things as
formed after the pattern of the human mind--seems to her the wisdom of
Solomon. "It is a beautiful conception," she says, "that which finds a
resemblance between the laws of the human mind and the laws of nature,
and which looks upon the material world as an image of the spiritual."
In her pleasure in the beauty of this idea she fails to perceive how
untruthful it is, to foresee how barren of all result it is soon to
prove. She extols Franz Baader and Steffens at the expense of the great
English scientists, and, following the example of her Romantic friends,
has a good word to say for clairvoyance and astrology--for every
phenomenon, in short, which seems to prove the prevailing power of the
spirit.
Public-domain text, read in full here on John Shaqi.
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