Main Currents in Nineteenth Century Literature - 1. The Emigrant LiteratureBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 1. The Emigrant Literature
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
The philosophy of the eighteenth century, then, according to Barante,
was not the conscious work of any individual or individuals, but
represented the general bent of the mind of the people; it was
written, so to speak, at their dictation. This did not add to its
value; to his thinking, all that this philosophy accomplished was
to overturn an immoral and inequitable government in an immoral and
inequitable manner. But what thus happened, happened of necessity.
The soul of Barante's book is the firmest faith in historical laws.
"The human mind," he says, "seems as irrevocably appointed to run a
prescribed course as are the stars." He knows that there is at all
times a necessary connection between literature and the condition of
society; but whereas this connection is at times indistinct, requiring
penetration to detect it, and careful demonstration to prove it
plainly, in the period under consideration it seems to him so plain
that no nice observation is required to discover it.
The first reason for this he finds in the relation of the writers to
their readers. In earlier times the number of the former had been very
small; thinly scattered over the whole of Europe, they had written in a
dead language. In those days there was no social life, and conversation
had not become a power. Authors did not write for society but for each
other, and society in return looked upon them as uninteresting pedants.
In time culture and enlightenment spread among the higher classes,
and writers entered into relation with them; they wrote for princes
and courtiers, for the little class which did not need to work. In
the days of Louis XIV. authors tried to please this class, and were
flattered by its approbation. But by degrees civilisation spread until
a real reading public came into existence, a public which made the
author independent of the great. Frederick the Second of Prussia, who,
to shed lustre upon his reign, called Voltaire to his court, did not
treat him with the condescension shown by Louis XIV. to Molière, but
seemed to place him by his side as an equal. The greatest political and
the greatest intellectual powers of the age stood for a moment upon an
equal footing, without any one discerning that the time was approaching
when these two powers were to declare war upon each other. And in the
last half of the century there was unintermitted reciprocity between
men of letters and society in general.
Public-domain text, read in full here on John Shaqi.
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