Main Currents in Nineteenth Century Literature - 1. The Emigrant LiteratureBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 1. The Emigrant Literature
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
In another place he writes: "Oh, how generous, how magnanimous are our
princes! They have again issued a pardon from which none are excluded
save those who have rebelled against them. It reminds me of a psalm
in praise of the exploits of the Hebrew God. He has slain this one
and that, for His mercy endureth for ever; He has drowned Pharaoh and
all his hosts, for His mercy endureth for ever; He has smitten the
first-born of Egypt with death, for His mercy endureth for ever, &c.
&c."
"You do not appear to be democratic. Like you, I believe fraud and
frenzy to be at the bottom of the Revolutionist's heart. But I prefer
the fraud and frenzy which pulls down prisons, abolishes titles and
such like imbecilities, and places all religious day-dreams upon
the same footing, to the fraud and madness which would maintain and
consecrate that monstrosity produced by grafting the barbaric stupidity
of the Hebrew upon the barbaric ignorance of the Vandal."
"The more one thinks it over, the less is one able to imagine any
possible good reason for the existence of this foolish thing we call
the world. I understand neither the intention, nor the master-builder,
nor the artist, nor the figures in this _Laterna Magica_ of which I
have the honour to form a part. Shall I understand any better when I
have disappeared from the small, dark globe on which it amuses I know
not what unseen power to have me dance, whether I will or no? I cannot
say. But I fear the secret will prove, like that of the Freemasons, to
be a thing of no value except in the estimation of the uninitiated."
Having read these extracts, it does not surprise us to know that the
book _On Religion_, planned at the close of the century to effect the
same object from a Protestant standpoint that Chateaubriand aimed
at from a Catholic, namely, the revival of the religious spirit in
France, had originally a very different character from that which it
finally acquired. If the first part were published as it was originally
written, entirely in the eighteenth-century manner, it would indicate
in its author exactly the stage of mental development indicated in
Chateaubriand by his book on the Revolutions. In the form in which it
has taken its place in French literature the work is remarkable for its
calm, passionless style, its unprejudiced views, and an erudition not
common at that period. Its weaknesses are its total lack of warmth and
the general indecision of its principles.
Public-domain text, read in full here on John Shaqi.
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