Main Currents in Nineteenth Century Literature - 1. The Emigrant LiteratureBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 1. The Emigrant Literature
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
For some years after this episode Benjamin Constant lived in quiet
retirement at Göttingen, occupied with collecting material for his
work on the origin and development of religion. The defeat of Napoleon
in 1813 brought him and his friend Madame de Staël once more into
the political arena. Her influence at the courts of Russia, Germany,
and Sweden gave him a voice in the proceedings against the defeated
autocrat. He went to Paris in Bernadotte's train, and, although he was
in favour of the restoration of the monarchy, he strove ardently to
save all that could be saved of constitutional liberty. He published
masterly pamphlets on the liberty of the press, on ministerial
responsibility, &c. It is well known that immediately after this,
his blind infatuation for Mme. Récamier caused him to take such
violent action against Napoleon on the latter's return from Elba, that
there seems something traitorous in his acceptance of a post in the
Council of State during the Hundred Days, and his collaboration in the
Emperor's attempt to give France a species of constitution.
We must not judge Constant as a politician by this unfortunate episode.
Under the Bourbons, and even during the first years of the reign of
Louis Philippe, he was the determined and eloquent leader of the
Liberal Opposition. Though never remarkable for purity of character,
he had noble impulses. When in 1830 he received a letter from one of
his friends in Paris saying, "A terrible game is being played here;
our heads are in danger; come and add yours!" he did not hesitate for
a moment, but came and undauntedly sided with the revolutionists. A
few months later, however, although he was at the time leader of the
Opposition, he accepted 100,000 francs from Louis Philippe for the
purpose of paying his gambling debts. Constant was an accomplished
dialectician. No truth, he was accustomed to observe, is complete
unless it includes its antithesis. He succeeded in completing many
truths. The imprint set upon him by the period in which his youth had
fallen was never effaced. The doubleness which in the other notable men
of the same generation is only a secondary quality, is in Constant's
character the essential, distinguishing, and, at the same time,
disturbing trait.
Public-domain text, read in full here on John Shaqi.
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