Main Currents in Nineteenth Century Literature - 1. The Emigrant LiteratureBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 1. The Emigrant Literature
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
Many have suffered the misery of loving without return; Adolphe's
torment consists in being loved after he has ceased to love. Eléonore
sees through his efforts to appear overjoyed when they meet, and one
of those terrible scenes ensues with which Mme. de Staël had made
Constant familiar; the exasperation of her passionate nature resembles
hatred. An attempt is made by Adolphe's relations, who disapprove of
his wasting his youth on such a connection, to get rid of Eléonore.
Adolphe's chivalrous feeling impels him to run away with her, and for a
time their tender feeling towards each other resembles love. Eléonore
makes fresh sacrifices which it galls Adolphe to accept. At one time
she suffers as much from not being loved as he from not loving; at
another she so intoxicates herself with her own passion that she sees
it double and believes that it is returned. Both live in the memory
of their former happiness, which is vivid enough to make parting seem
painful, even impossible, but not strong enough to impart any happiness
to their daily life. The tender but faint protestations of love made
now and again by Adolphe to Eléonore resemble the weak, colourless
leaves put forth from the branches of some uprooted tree.
He fails to make the being happy who is the cause of so much
unhappiness to himself. Every time she feels that she has won new
rights, he feels that he is bound by new fetters. Her passionateness
makes their daily life one incessant storm. In a biography of Constant
we find the following significant sentence: "This year Constant was
happy; Mme. de Staël was in Russia."
Eléonore inherits her father's fortune and is no longer dependent upon
Adolphe's protection. The world now suspects him of deriving pecuniary
advantage from the friendship; he is blamed for injuring her reputation
by being always in her company, and it is of course impossible for him
to explain that it is she who will not live without him.
His life is slipping away between his fingers; he is fulfilling none of
the promises of his youth; for, as he is not allowed to forget, there
is an insurmountable barrier between him and any possible future, and
that barrier is Eléonore. He determines to break off with her, but this
very determination makes his position more hopeless, for the moment he
resolves upon the death sentence (which he is too weak not to postpone)
all bitterness leaves him, and he feels such tender compassion for her
that she misunderstands and believes that all is well.
She makes a final violent effort to win him by rousing his jealousy;
but nothing now has any effect; on all sides the rupture is represented
to him as the most natural thing in the world, as a duty to his father,
to his own future, even to the unhappy being to whom he is chained, and
whom he is tormenting. She receives a letter which throws light on
his intentions, and soon after is attacked by a fatal fever and dies,
proclaiming her devotion to her lover with her last breath.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account