Main Currents in Nineteenth Century Literature - 1. The Emigrant LiteratureBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 1. The Emigrant Literature
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
Whereas Mme. de Staël's contemporaries lavishly praised the style
of the book and the literary ability of its authoress, in order to
be the better able to reprobate her views of life and her aims, the
modern critic has little to say for the loose and diffuse style which
the novel has in common with almost all others written in the form of
letters; but, as regards the ideas of the book, they hold good to-day;
they have actually not yet penetrated into all the countries of Europe,
although the present century has striven to realise them ever more and
more fully.
The breach between society and the individual depicted in _Delphine_
is entirely in the spirit of the Emigrant Literature. The same bold
revolt followed by the same despair in view of the uselessness of the
struggle, is to be found throughout the whole group of writings. In
the present case the revolt is a spirited, desperate attempt to hold
fast one of the gains of the Revolution at the moment when it is being
wrested away by the reaction. The despair is due to the sorrowful
feeling that no remonstrance will avail, that the retrograde movement
must run its course, must exceed all reasonable limits, before a better
condition of things can be looked for. Was a woman's novel likely to
prevail against an autocrat's compact with a Pope!
The "war with society" which she depicts is less a conflict with the
state or the law than with the jumble of conventions and beliefs, old
and new, artificial and natural, reasonable and unreasonable, hurtful
and beneficial, which, fused together into a cohesive and apparently
homogeneous mass, constitute the stuff whereof public opinion is made.
Just as the so-called sound common sense, which is always ready to set
itself in opposition to any new philosophy, is at any given time to a
great extent simply the congealed remains of a philosophy of earlier
date, so the rules of society and the verdicts pronounced by society in
accordance with these rules, verdicts always unfavourable in the case
of new ideas, are to a great extent founded upon ideas which in their
day had a hard struggle to assert themselves in face of the opposition
of the then prevailing public opinion. That which was once an original,
living idea, stiffens in time into the corpse of an idea. Social laws
are universal laws, the same for all, and, like everything that is
universal, they in numberless cases victimise. No matter how singular
the individual may be, he is treated like every one else. The genius
is in much the position of the clever head-boy in a stupid class; he
has to listen to the same old lessons over and over again because of
the dunces who have not learned them and yet must learn them. The
verdict of society is an irresponsible verdict; while the judgments of
the individual, as such, must always to a certain extent be a natural
product, those of society are in most cases a manufactured article,
provided wholesale by those whose business it is to concoct public
Public-domain text, read in full here on John Shaqi.
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