Main Currents in Nineteenth Century Literature - 1. The Emigrant LiteratureBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 1. The Emigrant Literature
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
to work upon her great three-volume book, _De l'Allemagne_. It was
completed in 1810. The next thing was to get it published in Paris.
A law had been passed which forbade the publication of any book until
it had been approved of by the Censors; on this followed another
regulation, specially aimed at Mme. de Staël, which gave the Chief of
the Police authority to suppress a book if he saw fit, even though it
had been published with the approval of the Censors. This was a law
which did away with all law. Having again received permission to take
up her abode at a distance of forty leagues from Paris to superintend
the publication of her book, Mme. de Staël went to Blois, lived first
at the château of Chaumont-sur-Loire, then at Fossé, and afterwards
at the country-houses of friends in the neighbourhood; she fluttered
round her beloved Paris at the required distance, as a moth flutters
round a candle. Once she even ventured into the capital. Meanwhile the
Censors examined her book, corrected, deleted, and gave the mangled
remains their _imprimatur_. Ten thousand copies were printed. But on
the day on which they were to be issued, the Chief of the Police sent
his gendarmes into the publisher's shop, after placing a sentinel at
every exit, and, by order of the Government, performed the heroic feat
of hacking the ten thousand copies to pieces. The mass was kneaded into
a dough, and the publisher received twenty louis d'or in compensation.
Mme. de Staël was at the same time ordered to deliver up her manuscript
(representing the labours and hopes of six years) and to leave France
in the course of twenty-four hours. In the letter which she received
from the Chief of the Police on this occasion occur the following
sentences: "You are not to seek the reason of the command I have
communicated to you in your omission of all reference to the Emperor in
your last work; that would be a mistake; no place could be found for
him in it that would be worthy of him: your banishment is the natural
consequence of the course you have persistently pursued for some years
past. It appears to me that the air of this country does not suit you;
as for us, we are, fortunately, not yet reduced to seeking models
amongst the people you so much admire. Your last work is not French."
Public-domain text, read in full here on John Shaqi.
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