In a different department of literature, in the writings of our Danish philosopher, Kierkegaard, we come upon the mirror chamber with its repeated reflections psychologically applied. As the German Romanticist ironically hovers above his own play, with its Chinese puzzle-box scenes and figures, so the Danish psychologist draws further and further away from his subject by putting one author, as it were, inside another. Listen to his explanation in the _Afsluttende Efterskrift_ ("Concluding Postscript"): "My position is even a more external one than that of any author whose characters are imaginary, but who appears personally in his preface. A prompter, impersonal, or personal in the third degree, I have created authors whose prefaces, nay, whose very names are their own production. In the pseudonymous books there is not a word of my own; I judge them as an uninterested third party, have no knowledge of their meaning except that of the ordinary reader, and not the most remote private connection with them, as is indeed impossible in the case of a doubly reflected communication. A single word from me personally, in my own name, would be a piece of presumptuous self-forgetfulness, and would, from the dialectical point of view, destroy the pseudonymous character of the work. I am no more the publisher, Victor Eremita, than I am the Seducer or the Assessor in _Enten-Eller_; Eremita is the poetically real subjective thinker, whom we meet again in _In Vino Veritas_. In _Frygt og Bæven_ ("Fear and Trembling") I am no more Johannes de Silentio than I am the Knight of Faith whom he depicts; and just as little am I the author of the preface to the book, it being a characteristic utterance of a poetically-real subjective thinker. In that tale of woe, Skyldig?--Ikke Skyldig? ("Guilty or not Guilty?"), I am no more the experimenter than I am the subject of the experiment, since the experimenter is a poetically-real subjective thinker, and the being he experiments on is his psychologically inevitable production. I am a negligeable quantity, i.e. it is immaterial what I am.... I have all along been sensible that my personality was an obstruction which the Pseudonymi must involuntarily and inevitably long to be rid of, or to have made as insignificant as possible, yet which they at the same time, regarding the matter from the ironical and reflective standpoint, must desire to retain as repellant opposition; for I stand to them in the ironically combined relation of secretary and dialectically reduplicated author of the author or authors."