Main Currents in Nineteenth Century Literature - 2. The Romantic School in GermanyBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 2. The Romantic School in Germany
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
We see him in those youthful days intensely absorbed in the study
of his own Ego. His plans are constantly changing; at one time
he determines to be the diligent, ardent student, at another to
throw up the pursuit of science and be a soldier. Strange as it
may sound, the men whom he at this time regards as his models are
those friends of freedom who were at the same time apostles of the
gospel of utilitarianism. He writes to his brother: "Buy Franklin's
autobiography, and let the genius of this book be your guide." We
occasionally hear of a little youthful folly; he is now and again
in trouble because of debts he has contracted; but he reasons very
sensibly with his father, when the latter is inclined to take his
peccadilloes too seriously.
Father and uncle naturally regarded the French Revolution with horror
and loathing, but Friedrich and his elder brother were its ardent
partisans.
Things in Saxony being on too small a scale to suit Friedrich's
taste, his kinsman, the Prussian Minister (afterwards Chancellor) von
Hardenberg, offered him an appointment in Prussia; this, however, he
was unable to accept, owing to his father's unwillingness to allow him
to become a member of the liberal-minded Berlin cousin's household.
He was finally sent to Tennstedt, near Erfurt, to acquire practical
experience of the administration of the laws of the Electorate of
Saxony under the excellent district magistrate, Just.
Novalis's first friend among the Romanticists was Friedrich Schlegel,
whose acquaintance he made at Jena. The two had much in common,
and Novalis at once fell under Schlegel's influence. At the age of
twenty-five he writes to him: "To me you have been the high priest of
Eleusis; you have revealed heaven and hell to me; through you I have
tasted of the tree of knowledge." Young Hardenberg shows himself to
be entirely free from political prejudice; he takes a great fancy to
Schlegel's landlord, because of the man's "honest republicanism," and
jokes at Schlegel's severity in blaming him and the said landlord for
their loyalty to the princely house. He has an extremely high opinion
of Friedrich Schlegel as a critic, admires the fineness of the meshes
of his critical net, which allows no fish, however small, to escape,
and calls him "einen dephlogistisirten Lessing."
When, in 1797, Schlegel visited Hardenberg at his home, he found him
utterly broken down. A young girl, Sophie von Kühn, to whom he had been
passionately and absorbingly devoted, had just died. His despair took
the form of longing for death, and he fully believed that his body must
succumb to this desire and to his longing for the departed. Though he
had no definite plans of suicide, he called the desire for annihilation
by which he was possessed, "a firm determination, which would make of
his death a free-will offering." It was under the influence of these
thoughts that he wrote his _Hymns to Night_.
Public-domain text, read in full here on John Shaqi.
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