Main Currents in Nineteenth Century Literature - 2. The Romantic School in GermanyBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 2. The Romantic School in Germany
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
"Heaven knows, my dear, good friend, what strange feeling, half
sorrowful, half glad, moves us to write to you at this hour--when our
souls, like two lightsome aërial voyagers, are preparing to take flight
from the world. For you must know that we had determined to leave no
p.p.c. cards upon our friends and acquaintances. The reason probably
is, that we have thought of you a thousand times in as many happy
moments, and pictured to ourselves a thousand times how you would have
laughed good-naturedly if you had seen us together in the green or the
red room. Yes, the world is a strange place! It is not unfitting that
we two, Jette and I, two sorrowful, melancholy beings, who have always
complained of each other's coldness, should have come to love each
other dearly, the best proof of which is, that we are now about to die
together.
"Farewell, our dear, dear friend! May you be happy here upon earth,
as it is doubtless possible to be! As for us, we have no desire for
the joys of this world; our dream is of the plains of heaven and the
heavenly suns, in whose light we shall wander with long wings upon our
shoulders. Adieu! A kiss from me, the writer, to Müller. Tell him to
think of me sometimes, and to continue to be a brave soldier of God,
fighting against the devil of foolishness, who holds the world in his
chains."
Postscript in Henriette's writing:--
"Doch, wie dies alles zugegangen,
Erzähl' ich euch zur ändern Zeit,
Dazu bin ich zu eilig heut.[17]
"Farewell, my dear friends! And do not forget to think, in joy and in
sorrow, of the two strange beings who are now about to set out on the
great voyage of discovery." HENRIETTE."
(In Kleist's handwriting)--"Written in the green room, on the 21st of
November, 1811. H. v. K."
Kleist was the most intractable character in the intellectual world of
the Germany of that day; he had, moreover, too much heart, too strong
feelings. After he had given up all hope of attaining to a knowledge of
the truth, he tried to build upon the foundation of feeling. As author
he was able to do it; his _Michael Kohlhaas_ is based upon the feeling
of justice, _Käthchen von Heilbronn_ upon the feeling of absolute
devotion. But the real world to which he himself belonged had no use
for strong, unmixed feeling such as his. He did not find it in others,
and wherever he followed it himself, the consequences were disastrous.
Alas! no; nothing was quite certain on this earth, not even his own
vocation!
Public-domain text, read in full here on John Shaqi.
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