This literature is really literature for cavalry officers. The horses are the only creatures in the book whose psychology Fouqué has successfully mastered, and this for the same reason that he was successful with Undine, namely, that it is elementary psychology. In the romances of our Danish author, Ingemann, the milk-white palfrey and the steel-clad black charger also play important parts. When the Lord High Constable is shown us attired in a scarlet cloak edged with ermine and a white-plumed hat, mounted on a tall iron-grey stallion, his swarthy little squire standing beside him holding the bridle of a nimble, restless Norwegian pony, the author has exhausted all his capacity of character drawing. In the description of the tall iron-grey stallion and the nimble little Norwegian pony we have life-like portraits of the Lord High Constable and his squire. It is exactly the same with Fouqué. Sir Folko's horse is described as a slender-necked, light-footed, silver-grey stallion. "At a signal from his rider he approached Gabriele and bent his forelegs, then leaped into the air and caracoled so lightly back to his place that he seemed to be flying, the golden bells on his harness ringing sweet chimes. Perfectly still and obedient he stood, only turning his beautiful head, under its rich trappings, to look caressingly and inquiringly at his master, as if asking: 'Have I done well?'"--Gallantry, sense of honour, loyalty! What more is there in the knights themselves? "Sir Archimbald's steed presented a strange contrast. Flecked with white foam, rearing and kicking, he seemed to be about to break the silver chain by which two men-at-arms were holding him back with all their might. His eyes flamed so fiercely that they might well be likened to burning torches, and with his right forefoot he pawed the earth as though he were digging a grave for his master's enemies." --Audacious valour, ardent longing for the fight, indomitable strength! What is there more in the knights?