Main Currents in Nineteenth Century Literature - 2. The Romantic School in GermanyBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 2. The Romantic School in Germany
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
His utterances on the occasion of the Greek war of liberation prove
that, in spite of his reactionary ardour, he had too much sense to
believe, like Adam Müller and the rest, in the principle of legitimacy
and the divine right of kings as revealed truths. He had written to
Müller in 1818: "You are the only man in Germany of whom I say: He
writes divinely when he chooses; and nothing in our audacious days
astonishes and exasperates me more than the audacity of those who dare
to measure themselves with you.... Your system is a completed, rounded
whole. It would be vain to attack it from any side. One can only be
entirely in it or entirely outside of it. If you can prove to us, make
comprehensible to us, that all real knowledge, all true understanding
of nature, all good laws and social regulations, nay, even history
itself (as you somewhere assert), are, and can only be, communicated to
us by divine revelation, then (as far as I am concerned at least) you
have gained the day. As long as you do not succeed in doing this, we
stand afar off, admire you, love you, but are separated from you by an
impassable gulf." It must be remembered that Adam Müller had gone the
length of asserting that the existence of the Holy Trinity sufficiently
proves that any national economical system based upon one single
principle must be a wrong system. It even proves to him the necessity
of the "Dreifelderwirthschaft" (triennal rotation of crops). Now,
when Greece revolts, Gentz writes that the principle of legitimacy,
being the production of time, must be modified by time, and makes the
following noteworthy assertion: "I have always been aware that, in
spite of the majesty and power of my employers, and in spite of all the
single victories gained by us, the spirit of the times would in the
long-run prove stronger than we are; that the press, contemptible as it
is in its excesses, would prove its superiority to all our wisdom; and
that neither diplomatic art nor violence would be able to hold back the
wheel of the world."
In his sixty-fifth year, the worn-out, gouty, suffering old man was
taken possession of by two passions strangely out of keeping with his
age and the bent of his mind. It was a momentary return of youth. The
one was for the famous ballet-dancer, Fanny Elsler, at that time a girl
of nineteen. His infatuation for her knew no bounds. He writes: "I have
won her simply and solely by the magic power of my love. Until she
knew me she did not know that such love existed.... Think of the bliss
of daily undisturbed intercourse with a being whose every attribute
enraptures me ... in whose eyes, and hands, and every separate charm I
can absorb myself for hours, whose voice bewitches me, and with whom
I can carry on endless conversations; for I am educating her with
fatherly solicitude, and she is the aptest of pupils, a pupil who is at
once my beloved and my child."
Public-domain text, read in full here on John Shaqi.
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