Main Currents in Nineteenth Century Literature - 2. The Romantic School in GermanyBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 2. The Romantic School in Germany
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
"Is it not the case, dear child, that everything spiritual in man has
its beginning in an instinctive, vague, inward impulse, which only the
action of the individual, frequently repeated, develops into definite,
conscious will and a perfected faculty. Not until they have developed
so far can there be any question of a lasting connection between these
inward impulses and definite objects. Why should love be different from
everything else? Is it reasonable to expect the highest faculty of man
to be perfect from the first? Should it be easier to love than to eat
and drink? Surely in love too there must be preparatory attempts, from
which nothing permanent results, but which all tend to make the feeling
more distinct and more noble. The connection of these attempts with any
definite object is merely accidental, at first often purely imaginary,
and always ephemeral--as ephemeral as the feeling itself, which soon
gives place to one more clearly defined and intense. Inquire of the
most mature and highly cultivated men and women; you will find that
they smile at the thought of their first love as at any other laughable
childish performance, and often live in complete indifference side by
side with the object of it. According to the nature of things it must
be so, and to insist upon faithfulness and a lasting connection is as
dangerous as it is foolish."
Schleiermacher naturally warns his correspondent against what he
calls the chimera of the holiness of first love: "Do not believe
that everything depends upon something coming of it. The novels
which support this idea, and make love between the same two beings
develop uninterruptedly from its first raw beginning to its highest
perfection, are as hurtful as they are silly; and their authors, as
a rule, have as little understanding of love as they have of art....
When the more or less indefinite love longing settles upon a definite
object, there necessarily arises a definite connection, and a point
of closest approach. When this point has been reached and you feel
that it is not the right one, not one that can be held, what is there
left for you to do but to part again? Only after such an attempt has
been completed as an attempt, that is to say, after the connection has
been broken off, can the memory of it and reflection upon it produce a
truer understanding of the longing and feeling, and thus prepare for
another and better attempt. Is there any obligation to make the next
with the same person? Upon what can such an obligation be founded? _I,
for my part, consider this more unnatural than love between brother and
sister_. Allow yourself perfect liberty, then; endeavouring only to
preserve a pure-minded, clear feeling that it is merely an experiment,
so that you may be prevented from sanctioning and perpetuating that
which is not intended to be more, by that self-surrender which, from
its nature, ought to mark the end of experiments and the beginning of
a true and lasting love.
Public-domain text, read in full here on John Shaqi.
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