Main Currents in Nineteenth Century Literature - 3. The Reaction in FranceBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 3. The Reaction in France
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
If these objects can only be attained in the manner indicated by the
principle of authority, then of course liberty, in so many other
domains regarded as a blessing, is in these domains to be regarded
as a curse, and is to be attacked and exterminated. But if they can
_possibly_ be attained in other ways, possibly be attained _better_
in other ways (and such a possibility is difficult to disprove), if,
finally, the measure of attainment arrived at in the traditional
manner is hardly worth taking into account, then absolutely free
inquiry, without regard to human or superhuman authority, is man's
bounden duty. In a century such as that in which we live the principle
of authority, as the principle which prevents all free inquiry,
is the worst, the most stupid, and the most degrading that can be
imagined, and stands self-condemned. The man who, by deriding or
forbidding free investigation into any social question whatsoever,
prevents, as he undoubtedly does, the suggestion of hypotheses and
the trying of practical experiments which might prove to be of value
to his fellow-men, is a criminal, for whom, if there were equity and
justice upon earth, no punishment would be considered too severe. It
unfortunately happens that the majority of educated men are criminals
of this class, so that the prospect of having them punished is very
slight.
Bonald was such a criminal; but in his outward circumstances we can
find no trace of the pursuit of an avenging Nemesis. He lived to the
age of eighty-six, and was all his life one of the most influential
and respected men of his period. He died in 1840, full of days and of
honour.
[1] Louis de Viel-Castel, _Histoire de la Restauration_, iv. 487.
[2] "La société a pour parvenir à sa fin, _qui est sa conservation, des
lois_". _Du Divorce_, 107.
[3] _Progrès de la révolution et de la guerre contre l'église_, p. 35.
[4] John Stuart Mill, _Autobiography_, p. 256.
[5] See, for example, Stephen Pearl Andrews, _Love, Marriage, and
Divorce_ (New York); also Émile de Girardin, _L'homme et la femme_.
VII
CHATEAUBRIAND
There was no poetry in France under the Empire. Chateaubriand was
doubtless an author with great poetic gifts, but Napoleon was the one
poet in the grand style. Chateaubriand who hated him, felt this. He
writes (in the fourth part of his _Mémoires_): "A marvellous power of
imagination inspired this cold politician; but for his muse he would
not have been what he was. His intellect carried out his poetic ideas."
The long succession of his wars, victories, and defeats was a great
Iliad, the Russian campaign a giant tragedy, with which none written at
a desk could compare.
Public-domain text, read in full here on John Shaqi.
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