Main Currents in Nineteenth Century Literature - 3. The Reaction in FranceBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 3. The Reaction in France
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
Chateaubriand has not succeeded in making heavenly bliss particularly
attractive. Our first feeling is apt to be one of pity for the
unfortunate Deity thus compelled eternally to listen to his own
praises. He is thus described: "Far from the eyes of the angels is
accomplished the mystery of the Trinity. The Spirit which mounts and
descends perpetually from the Son to the Father and from the Father
to the Son unites itself with them in these unfathomable depths. A
triangle of fire appears at the entrance to the Holy of Holies. The
awe-stricken spheres stop in their courses, the hosannas of the angels
are silenced.... The fiery triangle disappears, the sanctuary opens,
and the three Potentates are seen. The Father sits upon a throne of
clouds, a compass in his hands, a sphere beneath his feet; on his right
hand sits the Son, armed with lightnings; on the left the Holy Spirit
rises like a pillar of fire. Jehovah gives a sign, and time, reassured,
continues its course."
We are not informed how many times in the day, week, or month this
magnificent ceremony takes place. Possibly it is in the intervals of
these accomplishments of the mystery of the Trinity that the Divine
Being divides itself, for at times it appears to be divided: "Appealed
to by the God of mercy and peace on behalf of the threatened church,
the mighty and terrible God made known his plans to the assembled hosts
of heaven."[4]
On ordinary occasions the Son sits at a mystic table, and four and
twenty elders, clothed in white, with crowns of gold on their heads,
sit upon thrones by his side. Close by stands his living chariot, the
wheels of which emit fire. When the Expected of the Nations deigns to
vouchsafe a perfect vision of himself to the elect, they fall down
before him as if dead; but he stretches forth his right hand and says
to them: "Rise, ye blessed of my Father! Look upon me. I am the First
and the Last!"
We feel as if this performance must lose much of its impressiveness by
repetition.
As an example of the supernaturalness of this heaven, it may be
mentioned that the raiment of the holy elders is made _white_ in the
blood of the Lamb. That it is a modern production we observe from the
fact that, in spite of the remarkable arbitrariness which prevails, its
author has not escaped the influence of the spirit of his day, for even
in this heaven we hear of laws of nature. We are told of the blessed
that they desire to comprehend the laws which explain the easy flight
of heavy bodies through the ether. This is a sort of anticipation of
the standpoint in Byron's _Cain_.
Public-domain text, read in full here on John Shaqi.
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